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Page 88

Using Chromatic Notes

Chromatic
"Sits against" notes used as frequent passing notes between others that belong to the scale can create some intriguing
effects. This spices up a melody and can sound jazzy and sophisticated. If you linger on a chromatic note, you may
need to support it in the harmony with an unusual chord of some sort. Listen to 'Can't Get Used To Losing You' and
many of Costello's later songs for chromatic notes and other unexpected twists.

Rhythm and Timing
Remember that a melody also has rhythm, and this rhythm needs to be appropriate for the words and the overall
rhythm of the song. Listen for how long or short a melodic phrase is, and which notes are emphasised by the rhythm.
Many Michael Jackson hits have melodies in which the rhythm of the melody is more noticeable than the harmonic
value of the notes. Consider the rhythm of a melody such as 'This Guy's In Love With You', 'All Of The Day And
All Of The Night', Marshall Crenshaw's exquisite 'Laughter' or Kate Bush's 'Suspended In Gaffa. Be aware of the
beat you use to start a phrase. Watch out that you don't put unimportant words such as prepositions in prominent
places – like having "the" on the first beat of a bar.

Smooth rhythm

Staccato rhythmic