The New Yorker - USA (2022-02-28)

(Maropa) #1

16 THENEWYORKER,FEBRUARY28, 2022


TAKEPICTURE,PART II


BADGIRL


M


arcia Resnick was the last pho-
tographer to do a studio shoot of
John Belushi before he died, of an over-
dose, in Los Angeles, in 1982. She was
a friend and had for a few years been
eager to take his picture, for a series of
portraits of more than a hundred New
York “punks, poets, and provocateurs”
that she was calling “Bad Boys.” One
night, in late 1981, she ran into Belushi
at a club called AM/PM, and said, “How
about now?” When she got back to her
loft studio, on Canal Street, his limo was
waiting outside. He and his entourage
came upstairs. It was five or six in the
morning. “He was pretty high,” she re-
called the other day. The famous photo
of Belushi in a ski mask, and the one of
him with a forearm across his forehead,
half covering sanpaku eyes: that was the
session. Afterward, he fell asleep on her
bed. Six months later, he was dead.
That same week, the SoHo Weekly
News, which had employed Resnick as
its staff photographer, went under. She

wound up in an emergency room with
alcohol poisoning. Things went awry.
Her brief marriage to Wayne Kramer,
the MC5 guitarist, was falling apart.
She struggled with heroin. Soon came
the AIDS crisis and the deaths of so
many friends. “The club scene died,”
she said. “People got more insular. Peo-
ple were afraid of other people sexu-
ally.” Her career as an artist stalled. She
sold her loft to Laurie Anderson and
disappeared from public view. She went
back to school.
Now Resnick, seventy-one, is getting
a retrospective. It opens this week at the
Bowdoin College Museum of Art, be-
fore travelling to the Minneapolis In-
stitute of Art and to the George East-
man Museum, in Rochester. It brings
out of the attic of cultural oversight a
wild record of her largely underheralded
contributions to the evolution of pho-
tography as a fine art, and of her mostly
unacknowledged place among the so-
called Pictures Generation, to go with
her better-known perch as a chronicler
of the Blank Generation.
The other night in her apartment, in
the Village, she wore a pair of super-
flared Japanese overalls, a black T-shirt,
thickets of silver jewelry, two layers of
polka-dotted socks, and platform high-
top Chucks. Her hair was long and un-

ruly. “I’m a style maven,” she said. The
apartment teemed with archives and ar-
tifacts—black-and-white portraits of
Belushi, Basquiat, Jagger, and John and
Yoko; an old-fashioned radio with a
doll’s head, arms, and legs sticking out
of it, the basis for an ad she designed
for WCBS-FM (the slogan: “Let Me
Entertain You”) while she was a student
at Cooper Union; Myrtle and Schmo,
the half-mannequins she used to keep
in her 1963 Chevy Nova, to ward off
thieves and meter maids.
A corner of her living room was oc-

Marcia Resnick

according to the Frontier, the district
attorney for Kay and Noble Counties
charged seven women with felony child
neglect for using marijuana during preg-
nancy, even though some of them had
medical-marijuana licenses. The charge
does not require the state to demonstrate
actual harm.
The same year, the district attorney
for Comanche and Cotton Counties
charged three women—Brittney Poolaw,
Ashley Traister, and Emily Akers—with
manslaughter after they miscarried at sev-
enteen weeks, twenty-one weeks, and
twenty weeks pregnant, respectively. The
fetuses were autopsied, as necessitated by
the 2015 change in the law, and each tested
positive for methamphetamine. As thir-
teen physicians and researchers recently
affirmed in an amicus brief in support of
Akers, studies have shown that meth use
is associated with issues connected to low
birth weight, but not with miscarriage or
stillbirth. Traister pleaded guilty and is

awaiting sentencing. Akers’s case was dis-
missed due to lack of evidence, but Co-
manche County has appealed. Poolaw
was incarcerated for eighteen months be-
fore being convicted by a jury that delib-
erated for less than three hours; she was
sentenced, at age nineteen, to the mini-
mum sentence of four years.
These cases are not anomalous—
they’re part of an intensifying pattern.
In the late eighties and early nineties, at
least a hundred and sixty women who
used drugs while pregnant were charged
with child neglect and distribution of
drugs to minors. Between 2006 and 2016,
according to ProPublica, some five hun-
dred Alabama women were charged with
felony chemical endangerment for using
drugs during pregnancy, even in cases in
which the drugs were prescribed by doc-
tors. One woman, Katie Darovitz, was
arrested when her son was two weeks
old and healthy; she had controlled a sei-
zure disorder with marijuana after her

doctors advised her that her normal med-
ication could be unsafe for pregnancy.
(The case was eventually dismissed.)
Every year, there are about a million
miscarriages in the United States. Under
the doctrine of fetal personhood, these
common, complicated, and profoundly
intimate losses could become legally sub-
ject to surveillance and criminalization.
The blame, as always, would fall on in-
dividual behavior, not on the chromo-
somal or placental abnormalities that
often cause miscarriage, or the social fac-
tors that have been proven to increase a
person’s risk of losing a pregnancy: poor
nutrition, limited health-care access,
night shifts and long hours, exposure to
environmental toxins. Poverty and rac-
ism pose an unequivocal threat to fetal
life and child well-being. In a post-Roe
world, poor and minority women would
find themselves not protected but tar-
geted for further suffering.
—Jia Tolentino
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