The Modern Interior

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white’, the journalist explained. ‘The panels of the walls, the hangings,


and coverings of the furniture are in crimson Beresford brocade, and the


comfortable chairs and lounges, tall cool palms and tasteful screens make


this withdrawing room the ideal of comfort for the rapidly increasing


race described by our transatlantic cousins as club women.’^24 New York’s


first all-female club, the Colony Club, the interior of which was designed


by the pioneer interior decorator, Elsie de Wolfe, was opened on Madison


Avenue two years later. The decorator herself described the socially aspir -


ational, yet eminently domestic atmosphere of the entrance hall: ‘The first


impression’, she explained, ‘is that which one receives in the old Virginia


mansions, so dignified is the treatment of the panelled walls, the selection


of old mahogany furniture, the color scheme of green and white and


mahogany.’^25 In the club’s garden restaurant, de Wolfe created a fashionable


inside/outside space, complete with ivy-clad terracing and a decorative


fountain, such as might be found in the conservatory of an early twentieth-


century country house.


Other urban sites of modernity for women in the period – restaur -


ants, tea-shops, museums and art galleries among them – offered a variety 31


Female Day Room (Ward 7 ), Northern Counties Lunatic Asylum, Inverness, Scotland,
1902.

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