Creative industries often tend to treat the terms
‘information design’ and ‘communication design’ as
synonymous. However, the difference is crucial if we
want to understand how virtual typography stimulates
the viewer’s senses. The confusion between information
design and communication design probably derives
from the widespread emphasis on the creation of
information designs. Information is produced for the
purpose of communication. From a perceptual point of
view the situation is less straightforward because not all
information communicates. Information in the context
of communication theory is nothing but ‘noise’ that is
subject to the interpretation of the information recipient.
The viewer’s reconstruction of meaningful content is a
complex process.
Chapter 3
Typography, information and communication
54—55
Chain Reaction – David Lozano
David Lozano, who graduated from the London College of
Communication (LCC) in 2006, is now working as a freelance
designer in London. For Chain Reaction, Lozano used a vast
amount of matches to construct the word ‘fl amboyant’. This
fi nal-year project constitutes a very courageous attempt to
examine the dynamic relationship between the form and the
content of a word through a process of destruction. When the
piece was set on fi re, a new image evolved, quite literally
overpowering the meaning of the word. What is left as a result
is a two-metre-long piece of type, the remains of which tell the
story of its making.
A)
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