30
details, I have managed to arrange them in an order that is pleasing
and to construct with intervals, correctly, a film-phrase which is
the room.^11
Tellingly, there is little mention here ofdepictedmovement. These are
virtually still shots pieced together as film, as if the world’s own movements
must be subordinated to the control of the editor/monteur. Vertov’s
20 Page fromDaesh’! [Give your All!]no. 14,
special issue on theAMOautomobile
factory in Moscow 1929. Design and
photography by Alexander Rodchenko.