35
enough camera but could find no ciné film stock fast enough to shoot
the city on the hoof without additional lighting. The only solution was
to tape together short lengths of Ilfordhp5, the film manufactured for
reportage and sports photographers.
CriticallySlow
The physical/mental montage of shots constitutes one version of ‘pure
cinema’. The other, advocated by the film theorist André Bazin, minimizes
montage and emphasizes the ‘pro-filmic event’, that is, the unfolding of
23 Cover of Egon Irwin Kisch,Zurivy
Reporter[The Frantic Reporter], 1929.
Collage by Umbo.
24 Stills from DzigaVertov’sMan with a
Movie Camera, layout by JanTschichold
for the bookPhoto-Eye(Stuttgart, 1929).