Photography and Cinema

(sharon) #1
hangoffthepagebytheirsprocketholes.Anysenseofsocialorphoto-

graphicstabilityisjunkedforaroaming,churning,fracturedvision.

Heexplained:

Formephotographyisnotaboutanattempttomakeatwo-

dimensionalworkofart,butbytakingphotoafterphoto,Icome

closertotruthandrealityattheveryintersectionofthefragmentary

natureoftheworldandmyownpersonalsenseoftime.^3581

69–70 Spreads from Daido Moriyama,
Bye Bye Photography(Tokyo, 1972).

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