Volume 19 165
Julie Gleason Alford
In the following essay, Alford discusses Ack-
erman’s life and writings.
Diane Ackerman is one of the most highly ac-
claimed lyric poets writing in the United States. Her
poetry displays a mastery of language, lexical pre-
cision, and a vast range of poetic forms and voices.
A passionate, disciplined writer, Ackerman creates
poetry full of wit, compassion, courage, and fact; it
is a poetry of wonder and celebration for the natural
world and the human condition. “Ackerman is not
interested in a poetry of irony or theory or intellec-
tual distance,” notes reviewer Michael McFee. “Her
poems are immediate... and accessible to anyone
who has ever felt anything intensely” (National Pub-
lic Radio, 7 July 1991). The fusion of science and
art is one feature of Ackerman’s poetry that makes
her distinct from her contemporaries. To those who
question the appropriateness or purpose of blending
poetry with science, Ackerman replies: “Not to
write about Nature in its widest sense, because
quasars or corpuscles are not ‘the proper realm of
poetry,’ as a critic once said to me, is not only ir-
responsible and philistine, it bankrupts the experi-
ence of living, it ignores much of life’s fascination
and variety. I’m a great fan of the Universe, which
On Location in the Loire Valley
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