sire in men’s lyrics. These women poets also wrote lyrics about “do-
mestic affections” (that is, poems to mothers, sisters, brothers), female
childhood and education, motherhood, and women’s old age.^58
Other themes frequently found in these women’s lyrics, but rarely in
those of their male contemporaries, concern the darker side of their ex-
perience as women, for example, forced marriages.^59 Their poems often
treat boredom, isolation, and the enforced, rather than chosen, solitude
that many upper- and middle-class women experienced in the nine-
teenth (and the twentieth) century.^60 Some of these poems give the im-
pression of having been thrown over a prison wall; in many of them the
speaker sits by an open window, often at night, as if longing to escape.^61
Many poems express depression, a sense of futility or despondency. The
word naprasno(in vain) appears in several of these women’s poems, as,
for example, in Khvoshchinskaia:
"
u u, ,
#
h
(And in deep night, not knowing sleep
In vain I called upon heaven.)
(“I dlia menia byvala
zhizn’ trudna,” 1847 )
$ ,
,
,
uu
h
(I know that tomorrow or today,
I will pine in vain.)
(“Uzh vecher,” 1848 )
"
, u u
h
(And of bright, clear thoughts conceived in vain.)
(“Druz’ia moi,” 1847 )
Or Pavlova:
#
, :
# u ,
h
(But fruitless, but in vain:
There are no sounds, no words for her [the soul]).
(“Shepot grustnyi govor tainyi,” 1839 )
84 Gender and Genre