From the Waist Down.
You can start from the feet to the waist or the waist to the feet, it doesn’t
matter. What does matter is that you practice your preferred approach con-
sistently. I normally start by looking at the model’s waist first. This is one
area that most models don’t like to think about—and are very critical of
when viewing themselves in your final images. Models know they must
keep an eye on their waist; sadly, most waist problems in photography are
caused more by the photographer than the model.The Waist and Hips.
A simple turn of the waist slightly away from the camera can remove
pounds of weight—weight often added by using the wrong lens and aim-
ing the camera dead-on at the model (or from shooting at a downward
angle on the model). This applies whether the model is scantily clad in
lingerie or wearing a dress; shooting her with her waist turned di-
rectly toward the camera will almost always ensure a wider look
and the perception of added weight.
The same goes for the hips in standing poses; unless your sub-
ject is very trim, in almost all upright poses (standing, kneeling,
seated, etc.) a slight turn of the hips is important for its natural
slimming effect. This technique also tends to expose some of the
buttocks, creating a flattering and feminine S-curve. Because every model
is different, how far you should turn the hips must be determined indi-
vidually; adjust them until the lower body looks natural and slim (i.e.,you
don’t need to use an exaggerated turn).The Buttocks and Upper Thighs.
It’s important to carefully study the model’s body and pose (always keep-
ing your model informed of what you’re doing, of course, so she doesn’t
get the wrong impression).3. The Hips, Legs, and Feet..
A simple turn of the waist
slightly away from
the camera can remove
pounds of weight.THEHIPS,LEGS,ANDFEET33