Portrait Photography

(Darren Dugan) #1

Whenusedappropriatelytheresultscanbe flatteringand
beautiful;however,usedincorrectlytheycanbeuglyand
harsh.


Somelightsandtheirattachmentsaredesignedtobesoft
and diffused, while some are harsh; and others are for
accent use and not for lighting the subject as a whole.
Softboxes are generallyused to soften and disperse the
light,whereastoolssuchassnootsorreflectorscanbehard
anddirect,lightingmoresuitedtolightbackgroundsrather
thanthesubjectitself.Allwillhavetheirusedependingon
the required look of the final portrait.


The photographer’s main concern when lighting for
portraiture is to use the equipment in a sensitive and
consideredwaysoastoenhanceandbesympathetictothe
sitter.Themoreadvancedportraitphotographerswillstudy
each and every studio sitting, and light their subject
accordingly.Theywillnoticefeaturessuchascheekbones,
eyesandfaceshapes,andwilldecidetousethelightand
accessories to accentuate and enhance these good features.


Inverse Square Law

Theinversesquarelawinaphotographiclightingscenario
isusedtodeterminethefall-offinilluminationonasubject
as it moves closer to or further from the light source.


Foraquickcalculation,itisgoodforthephotographerto
rememberthatsimplydoublingthedistance betweenthe
lightingsourceandthesubjectwillreduceilluminationto
one quarter of the power. For example if we were to
illustrate these ratios:



  • Light at 2× the distance from the subject is 1/4 as bright.

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