Computer Arts - UK (2019-08)

(Antfer) #1

AUGUST 2019 COVER ARTIST


COMPUTERARTS.CREATIVEBLOQ.COM

Making


the cover


NEW TALENT 2016
University of Leeds
graduate Krystina
Chapman was
2016’s winner.
Her cosmic
creation had a
blue pearlescent
varnish sky, and
diffuser foil stars.

NEW TALENT 2018
David Sum’s
background in 2D
and 3D animation
helped him to
create a gorgeous
labyrinth of type,
enhanced on the
cover through the
use of fluted foil.

This year’s competition yielded more eager entrants
than ever, and it was a delight to see so many


imaginative and varied executions.


Yet despite the high volume of covers to choose


from, judging was unanimous and swift. Hazel P
Mason’s entry hit every mark we could hope for: a


distinctive, beautifully rendered illustration, great


cover composition, and a visual wit and playfulness


that ensured it stood out from the crowd.
“My concept for the cover was based on the fact


that I was having the time of my life exhibiting at


the various London showcases for new talent last
summer,” Hazel explained, “and there’s no better


way to enter the industry than sipping on ice-cold


drinks as I chatted to clients, art directors and other


creatives. Fresh out of university and eager to kick up
a storm in my chosen creative path.”


With just a few tweaks (our logo reflecting in her


shades and Hazel’s name written on the beaker), her


cover become a firm favourite with the team. Well
done Hazel and thanks to our many entrants – turn


the page to see a selection of highlights...


Watch our previous special covers being finished at


Celloglas at http://www.bit.ly/ca-printfinishes


NEW TALENT 2017
Camelia Pham’s
portrait of a
mystical (three-
eyed!) talent-
spotter worked
beautifully on
the reflective
mirrorboard
treatment.

HAZEL P MASON
Freelance artist Hazel graduated from
University of Cumbria University last year
with a degree in illustration.
http://www.hazelpmason.co.uk Above:deploying a high-build varnish we could highlight fine details to add extra texture and depth. Hazel’s cover was so vibrant, there was little we could do to enhance it. However, by
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