Music Listening, Music Therapy, Phenomenology and Neuroscience

IX

  - 2.4.1. Don Ihde’s method

  - 2.4.2. Listening strategies.

  - 2.4.3. The experimental listening project.

  - 2.4.3.1. First investigation. Bartok: An Evening in the Village (2’47)

  - 2.4.3.2. Second investigation. Webern: Bagatelle for String Quartet op. 9 no. 1 (0’30)

  - 2.4.3.3. Third investigation. Coleman Hawkins: Body and Soul (3’00)

  - 2.4.3.4. The outcome of the listening project

  - 2.4.4. Discussion of the experimental listening project

  - 2.4.5. Potential applications of experimental listening.

• Chapter 3. The Neurosciences and Music – The outcome of four conferences:
  
  
  • Developmental Functions. Conference in Venice 3.1. The Neurosciences and Music I: Mutual Interactions and Implications on
  
  
  • 3.1.1. A selection of papers in NM I
  
  
  • 3.1.2. Critical comments stated at the conference NM I
  
  
  • 3.1.3. Achievements and problems of research in NM I
    
    
    • Conference in Leipzig 3.2 The Neurosciences and Music II: From Perception to Performance.
    
    
    
    
  
  
  • 3.2.1 A selection of papers in NM II
  
  
  • 3.2.2. Critical comments stated at the conference NM II
  
  
  • 3.2.3. Achievements and problems of research in NM II
    
    
    • Conference in Montreal 2008, publication 3.3 The Neurosciences and Music III: Disorders and Plasticity
    
    
    
    
  
  
  • 3.3.1. A selection of papers in NM III
  
  
  • 3.3.2. Critical comments stated at the conference NM III
  
  
  • 3.3.3. Achievements and problems of research in NM III 2008.
  
  
  • 3.4. Summary of research in NM I 2002, NM II 2005, and NM III 2008..
    
    
    • 3.4.1. Research problems.
      
      
      • Conference 2011 in Edinburgh. A preliminary report. 3.5. The Neurosciences and Music IV: Learning and Memory
      
      
      
      
    
    
    
    
  
  
  • 3.6 Potential Relationships between Neuroscience and Music Therapy
    
    
    • 3.6.1. Songs
    
    
    • 3.6.2. Recorded music
    
    
    • 3.6.3. Improvisations.
    
    
    • 3.6.4 Music therapy in rehabilitation
      
      
      • An Investigation of the Listening Dimensions in Music Chapter 4. The Musical Timespace:
      
      
      • Based on Art Music of the 20th and 21st Centuries.. Chapter 5. Present Moments: A New Program for Guided Imagery and Music Therapy
      
      
      • 5.1. Creating a new GIM Program
      
      
      • 5.2. Present Moments: Description of the final GIM program.
        
        
        • 5.2.1. Dissemination of the new GIM program
        
        
        
        
      
      
      • 5.3. Present Moments: Criteria for inclusion and exclusion of music
      
      
      • 5.4. GIM experience and music phenomenology. Possible relationships.
      
      
      
      
    
    
    
    
  
  
  • Chapter 6. Subcortical and Cortical Processing of Sound and Music in the Brain.
    
    
    • 6.1. Gerald Edelman & Giulio Tononi: A Universe of Consciousness.
    
    
    • 6.2. Antonio Damasio: Self Comes to Mind. Constructing the Conscious Brain.
    
    
    • 6.3. The auditory pathways.
      
      
      • 6.3.1.The ascending auditory pathway
      
      
      • 6.3.2. The descending auditory pathway.
      
      
      
      
    
    
    • 6.4. Music listening activates extended networks in the brain
    
    
    
    
  
  
  
  


• Chapter 7. Embodiment
  
  
  • 7.1. Embodied listening
  
  
  • 7.2. Psychophysical responses to music
  
  
  • 7.3. Phenomenology and neuroscience
  
  
  
  


• Chapter 8. Discussion
  
  
  • 8.1. Summary and discussion of findings.
  
  
  • 8.2. Limitations and suggestions for future research
  
  
  
  


• Summary


• Dansk resumé


• References.


• Appendix 2.01. Intensive Listening List of appendices


• Appendix 2.02. Experimental Listening: Bela Bartok


• Appendix 2.03. Experimental Listening: Anton Webern


• Appendix 2.04. Experimental Listening: Coleman Hawkins


• Appendix 3.01. The Neurosciences and Music I (NM I 2002).


• Appendix 3.02. The Neurosciences and Music II (NM II 2005).


• Appendix 3.03. The Neurosciences and Music III (NM III 2008).


• Appendix 3.04. The Neurosciences and Music IV (NM IV 2011).


• Appendix 3.05. Musical Material NM I, NM II, NM III.


• Appendix 3.06. Categories of Investigation NM I, NM II, NM III, NM IV.


• Appendix 3.07. Cultural References NM I, NM II, NM III.


• Appendix 3.08. Music in Music Therapy Dissertations AAU 2002-2008.


• Appendix 4.01. The Musical Timespace. Concise Version 2012..


• Appendix 5.01. Present Moments: A GIM journey..