Music Listening, Music Therapy, Phenomenology and Neuroscience

Appendix 2.05 Experimental listening Hawkins (^5)
16th listening: Light and shadow? herm
Modulating B section adds light. The sax sound glows.
17th listening: Describe the sax solo as movement foc
Throughout soft movements, skips are soft as well.
Very calm, but never static. Repeats and embellishes tones from below or from above.
18th-19th listening: Sax solo: Interruptions, pauses, silence? foc
No or very few gaps between phrases, consistent continuity. A small gap after an elegant
sequencing phrase.
20th listening: If the sax solo is speech, what does he say? herm
A narrator who is not quite young. Narrates calmly, like a farmer in the countryside. Not very
surprising. ”How are you?” ... ”I would like to underline that...”
I imagine a scene in the 1930’s, barn and hay, golden colors, evening sun.
21th listening: Sax solo: What kinds of tone qualities? foc
Very soft, gentle. Supple variety, fills everything up. Large diference between registers. Deep
register absolutely fantastic. EC: Now I can also hear the elderly farmer
22nd listening: What is the quality of the high tones? foc
Festoons of tones. Intonation is extremely variable. Bright tones: Like a voice. Two tones almost
disappear. Deep tones: Cigar smoke.
23rd listening: Listen to the sax sound as bodily touch herm
Total well-being. Lovely, affectionate, warm, gentle, supple. Excess.
If I were caressed by somebody in that way, I would feel being in safe hands.
Appendix 2.04 Experimental listening Hawkins