The Musical Timespace
28
A few years after composing Metastasis, Xenakis was asked by Le
Corbusier to suggest a design for the architecture of the Philips Pavilion
for the World Exhibition in Brussels. Xenakis took up the Metastasis idea
of ruled surfaces and transferred it back to architecture, designing and
calculating the walls of the Pavilion as ruled surfaces. Fig. 2.2. shows a first
model of the Philips Pavilion, which was built in reinforced concrete in
In this building, the sounds of Edgar Varèse's Poème electronique were
heard from 350 loudspeakers in the curved walls. After the exhibition, the
Pavilion was demolished.
Atmospheres - A vibrating space of timbre and movement
The composition of events, states and transformations is developed and
refined in Ligeti's orchestral work Atmospheres (1961). This is music without
melodic or rhythmic gestalts, and without clearly discernible pitches and
durations. Atmospheres is a flow of sound. Subtle changes in timbre,
intensity and movement create auditory impressions of variable sound
masses appearing and disappearing, approaching,