The Drawings of Michelangelo and His Followers in the Ashmolean Museum

P 1 : JZP
0521551335 c 06 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 11 : 50

CATALOGUE 103 COPIES AFTER PAINTINGS 37 1

[the latter with a question mark] is certainly incorrect.)

Filippo Cicciaporci; Bartolommeo Cavaceppi; William

Young Ottley (his sale, 6 June 1814 , etc., probably lot

263 , “One – a study for his picture of theConversion of

St. Paul[sic] in the Paoline Chapel, purchased of Sig-

nor Cavaceppi, formerly in the Cicciaporci collection –

black chalk and bistre.”); Samuel Woodburn; Sir Thomas

Lawrence (L. 2445 ); Samuel Woodburn.

References

Ottley sale, 6 June 1814 , etc., probably lot 263 (“One – a

study for his picture of theConversion of St. Paul[sic] in the

Paoline Chapel, purchased of Signor Cavaceppi, formerly

in the Cicciaporci collection – black chalk and bistre.”).

Woodburn, 1836 b,no. 53 (“A fragment of the cartoon

of Pisa – consisting of part of three of the figures in this

very celebrated work. [sic] This highly interesting study is

drawn in bistre and is unfortunately much damaged. Size,

1414 by 1312 inches. From the Collections of M. Buonaroti,

and the Chevalier Vicar.”). The Athenaeum, 16 July 1836.

(“‘Fragment of the Pisa Cartoon,’ or rather of the study

for it. Highly interesting, genuine or not.”). Woodburn,

184 2,no. 45 (As 1836 .). Woodburn,184 6,no. 41 (As

184 2.). Robinson,187 0,no. 78 (From the Conversion of

St Paul. An “old but indifferent copy.”). Gotti, 1875 , II,

p. 226. Springer,187 8,p. 521 (Study for theConversion.).

Springer, 1883 , II, p. 385 (As187 8.). Thode, 1913 ,p. 210

(Copy.). Parker, 1956 ,no.36 9(After Michelangelo; “so

overworked as to make it impossible to judge its former

quality.”).