The Drawings of Michelangelo and His Followers in the Ashmolean Museum

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388 MISCELLANEOUS CATALOGUES 111–112

No. 45 ,‘Va r ious studies’, in which the bones of a leg

and thigh are drawn with ink and the sinews and flesh

with red chalk; may we be daring enough to add, that

the form of the femur is not rendered with its natural

elegance?”). The Observer, 24 July 1836 ([H]is surprising

knowledge of anatomy.”). Woodburn,184 2,no. 33 (As

1836 .). Fisher, 1852 ,p. 6 , pl. 28 (Recto and verso: “Var-

ious studies – a leg, of which the bones are drawn with

surprising truth to nature.”). Fisher, 1865 ,I,p. 19 , pl. 28

(As 1852 .). Robinson,187 0,no. 51 (Michel Angelo; the

bearded figure like Michelangelo; the inscription, not by

his hand, “may have reference to this likeness, and may be

construed to mean as like him as a brother.” Style “char-

acteristic of period of Medici tombs.”). Fisher,187 2,I,

p. 17 , pl. 26 (As 1852 .). Black, 1875 ,p. 213 ,no. 46. Gotti,

1875 , II, p. 234. Fisher,187 9, XXXV/ 37 a and b (Recto

and Verso: “a bust of a man with inscription below, said

to resemble Michelangelo himself.”). Berenson, 1903 ,I,

pp. 255 , 262 ,no. 1715 (Montelupo.). Berenson, 1935 ,

p. 115 (Montelupo.). Berenson, 1938 ,pp. 257 , 263 ,

no. 1715 (As 1903 .). Parker, 1956 ,no. 409 (Montelupo.).

Berenson, 1961 ,no. 1715 (As 1903 / 1938 .). Kornell, 1996 ,

pp. 115 – 16 (Raffaello da Montelupo; detailed discussion

of anatomy; Mariette may have thought that this sheet

wasdrawn in connection with the Minerva Christ.). Gat-

teschi, 1998 ,p. 58 (Raffaello da Montelupo; bearded man

is “il ritratto – inequivocabile e assai toccante – di un

Michelangelo in eta avanzata”; probably datable to the`

early15 4 0s.). Perrig, 1999 ,p. 226 (Attributed to Raf-

faello da Montelupo; one of only two drawings from the