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0521551331 apx 1 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 13 : 45
398 APPENDIX 1. DRAWINGS IN WILLIAM YOUNG OTTLEY’S SALES
273.One ditto, containing three studies of figures, all in
black chalk, from the Bonarroti collection.
274.One ditto, containing several studies of attitudes for the
Last Judgment, and a study for the Annunciation, all in black
chalk, from ditto.
275.One ditto, containing two studies in black chalk, one
for the Last Judgment, the other a man carried on the shoul-
ders of three naked figures, very fine, from the same collec-
tion.
276.One – a sheet of capital studies – red chalk on one
side; black chalk, with a little red on the other – from Count
Geloso’s cabinet.
277.One – a group of three figures in the Last Judgment, a
masterly sketch – black chalk and Indian ink.
278.One – the Pieta, a beautiful high-finished study, by
Michael Angelo, for the picture by Sebastiano del Piombo
for the church of St. Francis at Viterbo, black chalk,
stumped – see Vasari, tom. 2 ,p. 345 –fromthe Spada
collection at Rome.
279.Three – a sheet with two torsos, etc., free pen, and
some of his writing, and two others by Salviati etc. after
Michael Angelo, one in red, the other in black chalk.
III
Sale, London, 6 – 13 July 1807 , 9 July ( 4 th day); Thomas
Philipe, Warwick Street, Golden Square, London.
michelangelo
374.One – a study of three hands – masterly fine pen –pl
(i.e., Sir Peter Lely).
375.One – Descent from the Cross, many figures – black
chalk, stumped, fine, from Conde Geloso’s Cabinet.
3 76.Two–afightofcavaliers, black chalk and pen,capital;
and a group of five figures, half length, pen and bistre, fine.
377.One – the Fall of the Giants, pen and bistre –capital–
from K. Cha. I cabinet.
IV
Ottley Sale, 6 June 1814 and fifteen following days. Thomas
Philipe, Warwick Street, Golden Square, London.
buonarrotiorbonarroti
(In this sale, the drawings were divided into six groups, sold
on different days.)
Third Day (p. 23)
253.One, an architectural design–awindow, for the Loren-
ziana library, studies on the back in black chalk. From the
Bonarroti collection at Florence.
£ 1. 1. 0
2 54.One, a ditto, ditto from the same collection.
£ 3. 3. 0
255.Twostudies of heads etc. – red chalk.
£ 3. 3. 0
2 56.Four pen studies, on one sheet, from the Bonarroti
collection. With specimens of his handwriting on the back
of two.
£ 3. 5. 0
257.Aman’s head – black chalk.
£ 5. 15. 6 (also £ 5. 5. 0 in pencil in opposite margin)
2 58.Three – an eagle’s wing – red chalk; an eagle – pen
wash, and a study of eyes, etc., done when he was young –
pen.
£ 1. 1. 0
2 59.One – a man’s head, profile, black chalk.
£ 1. 1. 0
260.Two leaves of architectural designs, etc., from the
Buonarroti Collection, one of them for the sacristy of St
Lorenzo, the other for the cupola of St Peter’s. A specimen
of his handwriting on one.
£ 6. 6. 0
261.Two–anarchitectural design; and a pieta, both pen.
His writing on the back of one.
£ 1. 11. 6
2 62.One – a study for the Prophet Isaiah, in the Capella
Sistina – free pen and bistre.most capital–pen studies on
the back.
263.One – a study for his picture of the Conversion of St
Paul, in the Paoline Chapel, purchased of Signor Cavaceppi,
formerly in the Cicciaporci collection – black chalk and
bistre.
£ 5. 5. 0
264.One – a sheet with two leaves of his sketch book con-
taining pen studies on both sides, for the vault of the Capella
Sistina – most interesting. From the Buonarroti collection.
£ 5. 5. 0
2 65.One – a sheet with two ditto, for ditto, ditto
£ 5. 5. 0 (pencil annotation: Clark £ 10. 0. 0 )
Seventh Day (p. 74)
823.Three, on one leaf, studies in black chalk – a figure on
the back of one.
£ 6. 0. 0
824.One, of studies in black chalk for his composition of
Christ praying in the garden – ditto.
£ 4. 0. 0
825.One, of studies for a pieta – black chalk. From the
collection of the Cicciaporci family of Florence, to whom
the contents of the three above lots formerly belonged,