P 1 :KsF
0521551331 apx 1 CUNY 160 /Joannides 052155 133 1 January 11 , 2007 13 : 45
APPENDIX 1. DRAWINGS IN WILLIAM YOUNG OTTLEY’S SALES 407Red chalk, very Fine. Size 11 h. 71 / 2 w.From the same
Collection (i.e., Mr. Ottley’s).” Bought by Walker 17 s.
Subsequently 1830 - 78 / 1836 - 47 /184 2- 46 /R. 20 /P.II 405 (all
of which give the provenance solely as Richardson, with
Ottley and Roscoe omitted)/Cat. 77.- 1807 - 37 6i?/ 1830 - 112 ?/184 2- 67 /184 6- 18 /R. 17 /P.II
295 (all these give the provenance solely as Wicar, with
Ottley omitted)/Cat. 6.
16 82. 1830 - 104 / 1836 - 91 /184 2- 32 /R. 2 /P.II 327 (all of
which give the provenance solely as Ottley)/Cat. 24.
Sixteenth Day (pp. 152–3)
17 58. 1830 - 99 / 1836 - 55 /184 2- 30 /R. 18 (all of which give the
provenance solely as Ottley)/P.II 293 (Buonarroti and Ottley
included in the provenance)/Cat. 4.
17 59. 1830 - 106 /184 2- 10 /184 6- 23 /R. 16 (all of which give
the provenance solely as Ottley)/P.II 294 (Buonarroti and
Ottley included in the provenance)/Cat. 5.- 1830 -Not identified/184 2- 9 /R. 45 /P.II 317 (all of
which give the provenance as Buonarroti, Wicar, and
Lawrence with Ottley omitted)/Cat. 30.
1761.Bought by William Roscoe, his sale 1816 ,lot 66
“Two Designs on one sheet for Groups in the Capella
Sistina. A Charity &c. Black chalk.capital.Size 11 h. 17 w.
From the Collection of Lamberto Gori, afterwards Mr
Ottley’s”/Bought by Slater for £ 2. 14. 0. for Blundell/
Ince-Blundell/Liverpool, Walker Art Gallery, 1995. 204 ;
Brooke, 1998 – 9 ,p. 183.
1 762.Unidentified. - 1830 - 55 / 1836 - 74 / 1838 - 42 / 1850 - 107 /186 0- 134 /J. C.
Robinson/Malcom 74 /BM W 57.
1764.Probably bought by Dimsdale. 1804 - 276 ?/ 1807 -
375 / 1830 -Not identified/Not exhibited in 1836 /August
1838 purchase of William II of Holland?/ 1850 - 15 0,
bought Brondgeest, 60 guilders/186 0- 118 ,bought Enson,
£ 8. 18 s. 6 d/Not further identified; untraced. See186 0- 118
for further details.
1 765.This is the copy of Michelangelo’sFall of Phaetonin the
Royal Collection, now in the Woodner Collection, ascribed
bythe compiler (Joannides, 1995 – 6 ,no. 54 )toAlessandro
Allori. This drawing does not now bear an inscription, but
Allori was in Rome between 1555 and15 6 0and during his
sojourn made copies after most – perhaps all – of Tom-
maso Cavalieri’s Michelangelo drawings. It seems likely that
as well as the famous drawings of allegories and mytholo-
gies, Michelangelo also made for Cavalieri drawings of
Christ’s Resurrection, which were also copied by Allori. The
Woodner drawing bears the date 1814 and the initials
of William Esdaile, who no doubt acquired this lot. It
later passed to Sir J. C. Robinson, who thought it an
original.- 1830 - 68 i/ 1836 - 52 /184 2- 44 /184 6- 8 /R. 1 /P.II 326 (all
with the provenance given as Richardson/Spencer/
Ottley)/Cat. 33. - 1830 - 8 / 1836 - 77 (with the provenance given as Buo-
narroti, Wicar, and Ottley)/ 1838 - 44 / 1850 - 125 /Sachsen-
Weimar Collection/Count Antoine Seilern/London, Court-
auld Institute of Art, the Prince’s Gate Collection. - 1830 - 60 / 1836 - 84 (with the provenance given as
Cicciaporci, Cavaceppi, and Ottley)/ 1838 - 49 / 1850 - 119 /
186 0- 125 /E. Galichon, his sale, May 1875 ,lot 10 /Malcolm
80 /BM W 60.
1769.The nature of the inscription on this drawing
suggests that it formed part of the Cicciaporci-Cavaceppi
group. 1830 - 111 / 1836 - 48 (the provenance given solely
as Ottley)/ 1838 - 25 / 1850 - 168 /186 0- 140 bought Gasc/
Vaughan/BM W 91 .The compiler is inclined to think that
this copy is early and that it might have been made by
Bachiacca.
Forty-nine lots containing seventy separate drawings.