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0521551335 apx 2 a CUNY 160 /Joannides 052155 133 1 January 11 , 2007 14 : 21
426 APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGS1 02.Another Study for the same Subject, treated dif-
ferently.This interesting drawing is in black chalk and very fine.
From the same Collections as the last. 1
Bought Vaughan £ 7. 10 s103.Another Study for the samePicture,more elabo-
rately carried out, and more in conformity, in design,
with the Painting–black chalk.Superb.From the Collection
of Charles I. 1
Bought Enson £ 8. 15 s104.THE VIRGIN, THE INFANT CHRIST and ST
JOHN. This elegant Drawing has all the expression and
tasteofRaffaelle and Correggio, and was always con-
sidered one of the chief ornaments, in the matchless
Collection of Sir Thomas Lawrence, of the Master.–
black chalk, heightened with white. From the Collections of M.
Buonaroti, and the Chev. Vicar. 1
Bought Tiffin £ 211. 1 s1 05.THE HOLY FAMILY, the Infant sleeping in the lap
of the Virgin. This splendid drawing is one of the most
important of this Master.Executed with the greatest care in
red chalk.SUPERB.From the same Collections as the last. 1
Bought Tiffin £ 39. 18 s106.Th e Vi rg inleadingthe Infant Jesus,with a figure
of St. John slightly indicated.An elegant composition in black
chalk. 1
Bought Bloxam £ 2107.Our Lord, a Whole-length Figure.Astudy for the
subject of Christ and the woman at the well. On the reverse,
is another sudy for the same figure, and some hands.Black
chalk, heightened. Very fine. From the Collections of Buonaroti
and Vicar. 1
Bought Roupell £ 4. 15108.ASheet of Studies of various Scriptural Subjects–
in pen and bistre. In the centre, a draped female, in red chalk, of
grand character. 1
Bought Daniel £ 4. 4 s109.Driving out the Money Changers from the Temple.
Four separate studies for the same subject, on three sheets,
with others on the backs.Veryinteresting. Drawn in black
chalk. 3
Bought Tiffin £ 13. 10 s110.TheRaising of Lazarus; twohighly interesting
Studies on one sheet, for the subject by Sebastian del
Piombo,inthe National Gallery, tending to confirm
theopinion of Fuseli, that the Figure of Lazarus wastheworkofMichael Angelo.Admirably drawn, in red chalk.
From the Collections of Buonaroti and the Chev. Vicar. 1
Bought Colnaghi £ 21111.Another admirable Study for the same Subject,
with additional Figures.Boldly drawn, in red chalk. From
the same Collections as the last. 1
Bought Farrer £ 23. 2 s112.Another Study for the Same,differing; withseveral
Models for the Feet: the Anatomical Proportions of
theFigureofLazarus very carefullyfinished–red chalk.
From the same Collections. 1
Bought Farrer £ 33. 12 s113.CHRIST ON THE CROSS: the Model for the
renowned Picture, in the Collection of the King of
Naples,which Michael Angelo is said to have painted.
TwoAngels,lamenting, are slightly marked in the Sky.
In black chalk, finished with the utmost care.Superb.From the
Collections of the King of Naples, and M. Brunet. 1
Bought Enson £ 42- CHRIST ON THE CROSS. Treated with the
utmostgrandeur,andmostcarefully finished. In black
chalk.From the Collections of M. Buonaroti and the Chev.
Vicar. 1
Bought Enson £ 18. 18 s
115.TheCrucifixion, with Figures of the Virgin and St.
John.The Cross is of a singular form, and the figures are remark-
able for curious pentimenti, the Virgin having three arms and two
heads – black chalk, heightened. From the same Collections. 1
Bought Colnaghi £ 25. 4 s- TheCrucifixion: a Composition of Three Fig-
ures–in black and white chalk.Ve ryfine.From the same
Collections. 1
Bought Colnaghi £ 16. 5 s. 6 d
117.THE THREE CROSSES: a superb Study for a Com-
position of above twenty Figures; the Crosses are of
high elevation, the Figures below sketched with great
spirit–red chalk. From the same Collections. 1
Bought Tiffin £ 26. 5 s118.TheDescent from the Cross: a Design of about
twenty Figures.Highly finished in black chalk.Capital.From
the Collections of Count Gelosi and Mr. Dimsdale. 1
Bought Enson £ 8. 18 s. 6 d119.Th e Dead Body ofChrist supported on the Knees of
the Virgin, at the foot of theCross; two Angels sustain