The Drawings of Michelangelo and His Followers in the Ashmolean Museum

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0521551335 apx 2 a CUNY 160 /Joannides 052155 133 1 January 11 , 2007 14 : 21

438 APPENDIX 2. THE LAWRENCE COLLECTION OF DRAWINGS

32. 1830 - 58 /184 2- 11 /R. 29 /P.II 318 /Cat. 34.


33. 1830 -Not identifiable/184 2- 6 /184 6- 53 /R. 11 /P.II 322 /
    Cat. 32 ,£ 31. 10 s.


34. 1830 - 118 ?/ 1838 - 15 / 1850 - 146 , bought by Brondgeest, 50
    guilders/186 0- 131 ?. Not further identified; untraced. See
    186 0- 131 for further details.


35. 1830 -Not identified/ 1838 - 16 / 1850 - 120 ?, bought by
    Brondgeest, 225 guilders/186 0- 142 ?/ bought by Enson/
    Vaughan?/BM W 102. See 1850 - 120 for further details.


36. 1830 - 19 / 1838 - 17 / 1850 - 102 /Lawrence Gallery, 1853 , pl. 16 /
    186 0- 132 /Robinson/Malcom 58 /BM W 2.


37. 1830 - 63 / 1838 - 18 / 1850 - 162 /186 0- 146 /Robinson/Mal-
    colm 60 /BM W 13.


38. 1830 - 16 / 1838 - 19 / 1850 - 118 /Lawrence Gallery, 1853 pl. 19 /
    Louvre Inv. 746 /J 38 (with incorrect reference to the 1836
    exhibition).


39. 1830 - 28 / 1838 - 20 / 1850 - 164 /Weimar, Sachsen-Weimar
    Collection/Koenigs Collection/Rotterdam, Boymans van
    Beuningen Museum, I. 392 as Parmigianino. See 1830 - 28
    for further details.


40. 1830 -Not identified/ 1838 - 21 / 1850 - 15 9/186 0-13 0/BM
    W 61.


41. 1830 - 25 /184 2- 15 /Lawrence Gallery, 1853 , pl. 28 /R. 43
    /P.II 406 / Cat. 76


42. 1830 - 116 / 1838 - 22 / 1850 - 15 7?/Lawrence Gallery, 1853 , pl.
    18 /186 0- 139 /Vaughan/BM W 6.


43. 1830 - 43 / 1838 - 23 / 1850 - 151 bought by Engelbert/Frank-
    furt, St ̈adelsches Kunstinstitut, Inv. 399 as Sebastiano. Malke,
    1980 ,no. 87 , establishes the pre-Richardson provenance of
    this sheet as Padre Resta whose number k 67 it bears.


44. 1830 - 67 / 1838 - 24 / 1850 - 106 /Weimar, Sachsen-Weimar
    Collection/National Gallery of Canada, Ottawa. By Jacopo
    Pontormo, c.15 4 0. See 1830 - 67 for further details.


45. 1830 - 9 ?/184 2- 33 /R. 51 /P.II 409 /Cat. 111.


46. 1830 - 141 ii/184 2- 8 /R. 83 as Jacopo Sansovino/P.II 415
    as Naldini/ Cat. 112 as Muziano.


47. 1814 - 1680 / 1830 - 78 /184 2- 46 /R. 20 /P.II 405 /Cat. 77.
    See 1814 - 1680 for further details.


48. 1814 - 1769 (The nature of the inscription on this draw-
    ing suggests that it came from the Cicciaporci-Cavaceppi
    group.)/ 1830 - 111 / 1838 - 25 / 1850 - 168 /186 0- 140 bought Gasc/
    Vaughan/BM W 91.


49. 1814 - 254 / 1830 - 94 /184 2- 42 /184 6- 12 /R. 80 /P.II 332 (All
    these include Wicar in the provenance but omit Ottley.)/
    Cat. 56.


50. 1830 - 53 i, ii, iii, iv/184 2- 66 /R. 25 /P.II 303 - 06 /Cats. 13 –


51. 
    

    51.Although the provenance is given here as Richardson,
    this drawing is probably 1814 - 828 (with the provenance

    
    

givenasCicciaporci)/ 1830 - 71 / 1838 - 26 / 1850 - 179 bought by

Roos/Leembruggen sale, 1865 , lot 894 /Malcolm36 6/BM

not in Wilde, 1953 a,but later accepted by him/PG, no. 276 ,

placed as W. 15 a.

52. 1814 - 1766 / 1830 - 68 i/184 2- 44 /184 6- 8 /R. 1 /P.II 326 /
    Cat. 33.
    53.184 2- 45 /184 6- 41 /R. 78 /P.II36 9/Cat. 103.


53. 1830 - 51 i/184 2- 39 /184 6- 7 /Lawrence Gallery, 1853 , pl. 25 /
    R. 31 /P.II 324 / Cat. 23.


54. 1814 - 1758 / 1830 - 99 /184 2- 30 /184 2- 30 /184 6- 40 /Lawrence
    Gallery, 1853 , pls. 29 and 31 /R. 18 /P.II 293 /Cat. 4.
    56.Probably 1830 - 14 / 1838 - 27 / 1850 - 170 /Weimar, Sachsen-
    Weimar Collection/Rotterdam, Boymans van Beunigen
    Museum I. 20 ,asafter Michelangelo, attributed by Wilde,
    1953 a,p. 89 to Giulio Clovio; another candidate would be
    Alessandro Allori. See 1830 – 14 for further details.


55. 1830 - 76 / 1838 - 28 / 1850 - 126 ,asSebastiano, bought by
    Roos/Leembrugen sale 186 6, lot 920 ,asSebastiano/
    Malcolm 63 /BM W 15.
    58.Pierre Crozat?; his number? 396 at lower left/Count
    Moritz von Fries (L. 2903 )/ 1830 - 93 / 1838 - 29 / 1850 - 141?
    bought by Enthoven, 200 guilders/Lawrence Gallery, 1853 ,
    pl. 10 /186 0- 120 /BM W 69.
    59.Moselli Collection, Verona, before that of Pierre
    Crozat/ 1830 - 117 / 1836 - 59 / 1838 - 30 / 1850 - 124 /Lawrence Gal-
    lery, 1853 , pl. 24 /186 0- 138 bought Clement/Emile Galichon,
    his sale May 1875 , lot 15 /Malcolm 79 /BM W 55.


56. 1830 - 88 / 1838 - 31 / 1850 - 132 ,asVenusti/186 0- 101 /Miss
    K. Radford/BM W 71.


57. 1830 - 84 / 1838 - 32 / 1850 - 172 /Lawrence Gallery, 1853 , pl. 6 /
    Paris, Louvre, Inv. 715 /J 55 ,asRaffaello da Montelupo.


58. 1830 - 45 i/ 1838 - 33 / 1850 - 122 /Lawrence Gallery, 1853 , pl. 11 /
    186 0- 121 /BM W 52.
    63.Reproduced by Ottley, Italian School,f.p. 32 / 1814 -
    262 , bought by Roscoe/ 1830 - 52 / 1838 - 34 / 1850 - 15 4 (the
    subject misidentified as the Virgin and Child)/186 0- 136 /
    Vaughan/BM W 29. See 1814 - 262 and 1850 - 15 4for further
    details.


59. 1830 - 40 / 1838 - 35 / 1850 - 18 0/186 0- 119 , bought by Enson,
    £ 52. 10 s/Brooks Collection/F. T. Palgrave Collection, sold
    Christie’s 4 June 1886 , bought by J. C. Robinson/Agnew’s,
    London. Acquired by Mrs. Gardner in 1902 for the Isabella
    Stewart Gardner Museum, Boston. See 1830 - 40 for further
    details.


60. 1830 - 89 /The provenance is given here as Buonar-
    roti and Wicar, but because the drawing bears the
    Bona Rotiinscription, it may not have come from Casa
    Buonarroti./ 1838 - 36 / 1850 - 133 ,asMarcello Venusti/186 0-
    102 /BM W 72.