Cultural Geography

(Nora) #1
Together, Massey, Hetherington and Lee provide
important reminders of the limits to representa-
tional politics. Landscape politics cannot simply
be concerned with finding and drawing in the
missing masses, for there will always be an
unexpected component to the practical conduct
of ordering or making space. The difference is
that Massey draws us into this political realiza-
tion without recourse to a set of what mightbe
read as unworldly and politically indifferent
figures. As I argue in the final subsection, this
sense of practical contingency (even within the
most successful of ordering regimes) helps to
flesh out what might be involved in a politics of
landscape inhabitation.

Experiments and connections

I have now sketched examples of attempts to
maintain a sense of alterity in accounts of the
ordering of worlds. For a politics of inhabitation
and nature, this seems attractive. It is just that
sense of surprise and strangeness, even, as
Haraway has suggested, that ‘independent sense of
humour’ (1991: 199), which is required for a posi-
tiveinhabitation of landscape (see Figure 10.2).
And yet, to a certain extent, these reimaginings

of textualities remain in many cases concerned
with a particular style of inhabitation. They are
concerned with building. Indeed, from tectonics
(the study of how form is built), to semiotics (the
study of how meaning is built) – and then to
textualities of various kinds – the concern has
ostensibly been to accountfor the construction
of worlds. And even with the attempt to allow
room for alterity, and thereby to avoid a crude
representational politics, the building metaphor
remains.
The problem is that holding onto a building
metaphor runs the risk of returning to an admit-
tedly more elaborate, knowing, academic gaze.
Or to put this another way, whilst the figurations
and elements of landscape may be changing, the
form of knowing can seem to stay remarkably
constant (see Hinchliffe, 2000b). Perhaps this is
nothing more than a risk in Hetherington and
Lee’s work. Certainly they frequently remind
readers that the project is not one of representing
the formerly underrepresented. And there can be
little doubt that these geographies start to open
up possibilities for new connections and creati-
vity. However, there seems to be a difference
between building alterity into an account of the
world, and accepting alterity as part of ongoing
practice and changing our knowing practices to

‘INHABITING’ – LANDSCAPES AND NATURES 219

Figure 10.2 Gunnar Theel, Nature’s Laugh, New Jersey (author’s photo)

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