Cultural Geography

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often simply term ‘the postcolonial critique’
is bolstering the so-called ‘cultural turn’ in human
geography, reaffirming the importance of historical
perspectives within the discipline, and bringing
many new objects of study into critical play (see
Graham and Nash, 2000). Said has a talismanic
status in all of this, and not just because of his
ideas about discourse, which now have a stan-
dard place in geography. His work has been
doubly important to geographers because of his
insistence that imperialism and colonialism
should be conceptualized geographically – as
constellations of power that are intrinsically con-
cerned with land, territory, displacement and dis-
possession (see Gregory, 1995). Much of Said’s
work is based on the idea of ‘imaginative
geography’ – ‘the invention and construction of a
geographical space called the Orient, for instance,
with scant attention paid to the actuality
of the geography of its inhabitants’ (Said, 2000:
181; see also Said, 1993). This elastic critical
motif now frames myriad geographical studies,
and geographers use it to spatialize (if not always
carefully historicize) the idea of colonial dis-
course ‘in a general sense’. But Said is not the
only postcolonial thinker with geographical
interests. Indeed, he has nurtured a spatial turn in
postcolonial studies, and geographers have
drawn on the work of scholars such as Paul
Carter and Timothy Mitchell who are keenly
interested in the spatiality of colonialism and
empire (see Gregory, 1994: 15–208).
On the other hand, there are complaints about
the type of work that postcolonialism is encour-
aging within and beyond geography. Much post-
colonial work, it is suggested, is thin on detail,
hung up on questions of discourse and the
agency of the colonizer, marred by textualism
and wanton generalization, too tightly based on
the colonial experience of particular parts of the
world (particularly India), and imbued with
forms of intellectual tourism that keep us within
the imperial trajectory of the west. The most
common complaints are that postcolonial critics
lose sight of the diversity and materiality of
colonialism and empire, and only partially real-
ize their commitment to the postcolonial subject
because they fixate on the projection of a western
will to power and tend to reduce colonialism to
matters of discourse. Geographical writing on
colonialism and empire generally retains a much
stronger concern with bodily experiences and
material practices, the physicality of movement
and interaction, and the creation of networks of
power than much postcolonial work that
emanates (especially) from literary and cultural
studies. It is partly for these reasons that geo-
graphers sometimes represent literary/cultural

postcolonialism as an alien body of ideas that
needs to be recontextualized wherever it is taken.
And it is important to note that geographers are
not simply drawing on postcolonial theory. They
have also engaged the new historiography of
western science (e.g. the work of Bruno Latour
and Stephen Shapin), feminist philosophies,
French poststructuralist theory, and scholarship
in the fields of imperial history and cultural
anthropology.
The critical imperial and colonial geographies
that we will now explore in more depth have
emerged in the midst of these developments and
debates. Postcolonialism can be described as a
powerful interdisciplinary mood in the social
sciences and humanities that is refocusing atten-
tion on the imperial/colonial past, and critically
revising understanding of the place of the west in
the world. Yet different disciplines have been
implicated in empire in different ways and do not
have identical postcolonial concerns.

GEOGRAPHY, COLONIALISM
AND EMPIRE

Geographical research on colonialism and empire
takes diverse forms, but it is possible to identify
two main orientations in the literature. We can
distinguish between research that concentrates
on what Felix Driver (1992) has dubbed
‘geography’s empire’ and that which explores
what Derek Gregory (2001a) calls ‘colonizing
geographies’. The former body of work has a
more or less exclusively metropolitan-disciplinary
focus, whereas the latter is more concerned with
the historical-geographical diversity of colonial-
ism and empire.

Geography’s empire

In the early 1990s, geographers started to ques-
tion self-contained and in-house narratives of the
history of geography, prise open the western
biases enshrined in geographical thought, and
explore geography’s historical imbroglio with
empire. When Driver’s paper ‘Geography’s
empire’ appeared in 1992, there was hardly any
critical reflection on the discipline’s historical
complicity in empire. ‘Some might regard...
[this] as a sign of the strong hold that the colonial
frame of mind has upon the subject,’ he wrote. ‘It
is as if the writings of our predecessors were so
saturated with colonial and imperial themes that
to problematise their role is to challenge the
status of the modern discipline. Yet this is

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