Cultural Geography

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as well as what it should ‘remember to forget’
(Devan, 1999: 22). Hindsight is hence perpetu-
ally unstable, shifting with each perspective.
What is valorized and mapped as ‘heritage’ in
official and popular imaginative geographies
becomes locked into questions such as who
controls (and benefits from) the whole process
of transforming ‘history’ into tangible pres-
ences (and hence also absences) on the land-
scape and for what purposes (such as group
identity formation, nationalism or tourism)
(Bonnemaison, 1997; Chang, 1997; Jones and
Bromley, 1996; Jones and Varley, 1999; Kwok
et al., 1999; Parenteau et al., 1995; Shaw and
Jones, 1997).
While the postcolonial state in many instances
(as in Singapore: see Kong and Yeoh, 1994) has
exercised heavy-handed control over the defini-
tion of what constitutes the nation’s memory and
the actual work of heritagizing, other agencies,
including marginal groups, have also played a
part in some of these struggles over place. Even
in Singapore, in responding to state-envisioned
heritage landscapes, there are clearly alternative
readings and resistances within the body of the
postcolonial nation against such hegemonic
intentions, although little expressed in confronta-
tional style. Some have clearly found state-pro-
pelled conservation and preservation efforts
superficial, with little penetrating beneath the
veneer of commercialization to creatively con-
nect with the past. As such, so-called heritage
landscapes designed by state agencies have been
dismissed by some as ‘a piece of kitsch ... some
kind of feeble confection’ (architect Tay Kheng
Soon, The Straits Times,18 February 2000) and
by others as somewhat bland and disengaged
from the development of a sense of national
identity.
Elsewhere in the postcolonial world, the poli-
tics of what constitutes heritage continue to
unfold as nations search to define their identi-
ties. In the state-designated ‘historic city’ of
Melaka, for example, Portuguese Eurasians
resist being excised from official accounts by
their ‘chameleon-like abilities’ in repositioning
their ‘tradition’ and ‘heritage’ within Malaysian
debates about postcolonial national identity
(Sarkissian, 1997). In the same city, Cartier
(1993; 1997: 555) examines how place-based
constructions of cultural identity and representa-
tions of state nationalism are drawn into the
politics of space surrounding Bukit China, a
monumental traditional Chinese burial ground,
and details the protracted struggles over its trans-
formation into a ‘nationscape, a site-specific dis-
tillation of half a millennium of Malaysian
history’.

POSTCOLONIAL MIGRATIONS
AND THE ‘MIGRANCY OF
IDENTITY’

[T]he postcolonial [highlights] the complexities of dias-
poric identification which interrupt any ‘return’ to
ethnically closed and ‘centred’ original histories ... in
the global and transcultural context ... It made the
‘colonies’ themselves, and even more, large tracts of
the ‘post-colonial’ world, always-already ‘diasporic’ in
relation to what might be thought of as their cultures of
origin. The notion that only the multi-cultural cities of
the First World are ‘diaspora-ised’ is a fantasy which
can only be sustained by those who have never lived
in the hybridised spaces of a Third World, so-called
‘colonial’, city. (Hall, 1996: 250)^6

That postcolonial nations are ‘always-already
diasporic’ and constitute ‘hybridised spaces’
comes as no surprise to those of us living in
once-colonized cities such as Singapore. As
Harper writes of the polyglot city once consti-
tuted by streams of immigrants from China,
India, the Malay archipelago and other far-flung
places and dominated by a small European impe-
rial diaspora:

Singapore is a child of diaspora. Its history embodies
many of the tensions of blood and belonging that the
concept evokes. Singapore testifies to the difficulties of
creating a modern nation-state on a model inherited
from Europe in a region where history mocks the
nation-state’s claims to cultural and linguistic exclu-
siveness. The post-colonial experience of Singapore has
been dominated by the attempts of the state – an artifact
of British rule – to surmount these constraints and to
create a national community bounded by a common
culture and a sense of place, and bonded by individual
allegiance. (1997: 261)

As colonialism reached far and deep into once-
localized societies, it generated a multitude of
mobilities across borders, coalescing into what
M.L. Pratt calls ‘contact zones’ par excellence
which invoke the ‘spatial and temporal copres-
ence of subjects previously separated by
geographic and historical disjunctures, and
whose trajectories now intersect’ (1992: 7).
Diasporas of all hues – imperial diasporas,
labour diasporas, trade diasporas, cultural dias-
poras among them (see Cohen, 1997, for a typol-
ogy) – quickened in response to the demands of
empire, criss-crossed, interlocked and produced
hybridized spaces arranged in kaleidoscopic dis-
array. As earlier discussed, one of the primary
tasks of postcolonial nation-building is to trans-
form a motley crew of diasporic orphans, whose
emotional homelands diverge from their physical
locations as well as from each other, into a settled

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