Cultural Geography

(Nora) #1
Far from neutral and fixed, therefore,
geographical scales are the products of
economic, political and social activities
and relationships; as such, they are as
changeable as those relationships them-
selves. At the very least, different kinds
of society produce different kinds of
geographical scale for containing and
enabling particular forms of social
interaction. (Neil Smith, 1995: 60–1)

Geographical theories of scale have come a long
way since the days when geographers used to
invoke fixed notions of local, regional and
national scales as if they were universally under-
stood and unchanging analytical categories.
Recent research has highlighted the social con-
struction of scaleand the ways in which scale is
negotiated and reproduced. Such insights invite
scholars to move beyond seeing scale as a politi-
cally neutral container of social processes or a
methodological abstraction, and to consider
instead how it is produced through socio-
economic struggles and transformations. These
approaches have largely developed out of
Marxist theories of the production of space, most
notably Neil Smith’s (1984) arguments about the
creative destruction of scale wrought by capital-
ist processes of uneven development. Smith
argued that particular consolidations of capitalist
territoriality – the formation of regional clusters
or cities or even nation-states, for example – need
to be seen as transient scalar fixes which, however
concretized they may seem, are always vulnerable
to the transformations brought about by new
rounds of capitalist investment and disinvestment.
In this chapter we begin from these basic Marxist
insights into what has come to be known as ‘scale-
jumping’. However, in introducingthem into an

arena of examination addressed by cultural
geography – the production and contestation of
cultural landscapes – we also argue that the
Marxian focus on capitalist economic determina-
tions needs to be radically supplemented by
attention to cultural-political forces of ideology,
resistance and the construction and negotiation
of cultural identity. In this way we seek to
explore the production of scale as the overdeter-
mined effect of diverse cultural, political and
economic power relations. Reciprocally, we also
argue that, because scale-jumping represents the
reconfiguration of the territorial scopeof power
relations, it provides a particularly powerful
entry point into empirical research on the ideo-
logical overdetermination of particular cultural
geographies. We will elaborate on our under-
standing of ideology and overdetermination
shortly, but first we need to clarify the basic
argument about scale-jumping from which we
are beginning.
The Marxian formulation of scale-jumping
develops directly out of Smith’s radical interpre-
tation of uneven development as a product of the
tension between capitalist tendencies towards
territorial equalization and differentiation, ten-
dencies which themselves relate to the tension
between competition and cooperation in capital-
ism (see also Smith, 2000). Smith argues that
scalar fixes emerge as partial and temporary reso-
lutions of the capitalist tensions between equal-
ization and differentiation and it follows that
they are frequently superseded by new spatial
resolutions in response to capitalist reorganiza-
tion. In this way, capitalist territorial organization
‘jumps’ scale in the context of overaccumulation
or other moments of capitalist crisis and crisis
management (see also Harvey, 1999). For example,
Smith (1995) points to the development of the

26


The Cultural Geography of Scale


Clare Newstead Carolina K. Reid, Matthew Sparke

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