The Structural Conservation of Panel Paintings

(Amelia) #1
H O  P-M T  C I 123

Figure 17, below
Giotto,Crocifisso di Santa Maria Novella,
reverse.


Figure 16
Giotto, Maestà,reverse, before the 1991
restoration.


Figure 18
Wrought-iron nails typical of those used
insupports.
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