9 Millar 1960:191: “alta piturs dat er mended aufflat dat wer [extremely?] spijl and pilt auffvrom
de bord and wor et and roten so dat auffsom War but left te bord Was most all tu bi taken
awar als ju M partlij knowes” (Bodleian Library, Oxford, MS Ashmole 1514, fol. 193).
10 Shearman 1983, cat. 181:178; Millar 1960:191: “[auffstanding in a Warm rom?] itm da pis auff
our ladi auffold palmo Wraffde bord Was Warp and Krack and Woren tin and muz [out of ?]
fram Was set opan a new streng bord terfor and in guldit new fram terfor 3 pant.”
11 Shearman (1983, cat. 181:179–80) records that the original panel, measuring 60 3 81.1 cm, was
thinned to 0.4 cm. The oak panel affixed to the back measured approximately 0.7 cm.
12 Millar 1960:191: “item de [excellent?] Womans had inde kabinet auffbeling Wij Was holij rint
and pilt auffin a manner als if Eij taught it to hauffbin posibel tu bi mendis terfor 4 pant.”
13 See Trevor-Roper 1993:277; Talley (1981:203) quotes Symonds’s account of Lanier’s experiences
of cleaning these paintings.
14 Plenderlieth 1933. The conference papers were published in Mouseion (1931) 15:13–16.Anderson, Jaynie
1990 The first cleaning controversy at the National Gallery, 1846–1853. In Appearance,
Opinion, Change: Evaluating the Look of Paintings,ed. Victoria Todd, 3–7. London:
United Kingdom Institute ofConservation.Beard, G.
1970 William Kent and the royal barge. Burlington Magazine 112:488–92.Bomford, David
1978 The conservation department of the National Gallery.National Gallery Technical
Bulletin2:3–10.Brommelle, Norman
1956 Material for a history of conservation. Studies in Conservation2(4):176–87.Cornforth, John
1986 Kingston Lacy revisited. (Four articles on the history of the house and the collections.)
Country Life 1–4 (17 April, 24 April, 5 June, 12 June).Dossie, Robert
1764 The Handmaid to the Arts. V ol. 2. London: J. Nourse Bookseller.Grössinger, Christa
1992 North-European Panel Paintings: A Catalogue of Netherlandish and German Paintings before
1600 in English Churches and Colleges.London: Harvey Miller Publishers.Jackson, Margaret Talbot
1917 The Museum: A Manual ofthe Housing and Care of Art Collections. London and NewYork:
Longmans, Green and Co.Jackson-Stops, Gervase
1983 Felbrigg Hall. N .p.: National Trust.1985 The Treasure Houses of Britain. Exhibition catalogue no. 2. Washington, D.C.: National
Gallery of Art; New Haven, Conn., and London: Yale University Press.Lillie, W. W.
1932 The retable at Thornham Parva. In Proceedings of the Suffolk Institute ofArchaeology and
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