1 Patrick Mandron, from the Service de Restauration des Musées Nationaux; Aubert Gérard,
from the Centre Régional de Restauration et de Conservation des Oeuvres d’Art; and Jean-
Albert Glatigny, from the Institut Royal du Patrimoine Artistique backed two paintings on
limewood, using the balsa-wood/wax-resin treatment. These works, which are by Lucas
Cranach the Elder, represent Saint Peter and Saint Paul, and they belong to the Louvre
Museum.Beardsley, B. H.
1978 A flexible balsa back for the stabilization of a Botticelli painting. In Conservation of
Wood in Painting and the Decorative Arts: Preprints of the Contributions to the Oxford
Congress, 17–23 September 1978,ed. N. S. Brommelle, Anne Moncrieff, and Perry Smith.
London: International Institute for the Conservation of Historic and Artistic Works.Buck, R. D.
1970 The dimensional stabilization of the wood supports of panel painting. In Conference
on Conservation of Canvas and Panel Paintings, Warsaw, 19–21 October 1970. N.p.Habaru, S.
1990–91 Le doublage au balsa des peintures sur panneau. Diploma thesis, ENSAV
LaCambre,Brussels.Mori, N.
1992–93 Les barrières contre l’humidité. Diploma thesis, ENSAV La Cambre, Brussels.Spurlock, D.
1978 The application of balsa blocks as a stabilizing auxiliary for panel paintings. In
Conservation of Wood in Painting and the Decorative Arts: Preprints of the Contributions to
the Oxford Congress, 17–23 September 1978,ed. N. S.Brommelle, Anne Moncrieff, and
Perry Smith. London: International Institute for the Conservation of Historic and
Artistic Works.vom Imhoff, H. C.
1978 Reinforcing a thin panel painting. In Conservation of Wood in Painting and the
DecorativeArts: Preprints of the Contributions to the Oxford Congress, 17–23 September 1978,
ed. N. S. Brommelle, Anne Moncrieff, and Perry Smith, 165–68. London: International
Institute for the Conservation ofHistoric and Artistic Works.References
Note
370 Glatigny