The Structural Conservation of Panel Paintings

(Amelia) #1

Hackney, S.
1987 The dimensional stability of paintings in transit. In ICOM Committee for Conservation 8th
Triennial Meeting, Sydney, Australia, 6–11 September 1987, Preprints,597–600. Marina del
Rey, Calif.: Getty Conservation Institute.


1990 Framing for conservation at the Tate Gallery. The Conservator 14:44–52.


Kamba, N.
1993 Measurement of the dimensional change of wood in a closed case. In ICOM Committee
for Conservaton 10th Triennial Meeting, Washington, D.C., U.S.A., 22–27 August 1993,
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Kenjo, T., and K. Toishi
1975 Purification of air with zeolite. Science for Conservation 12:27–31.


Klein, P., and F. W. Bröker
1990 Investigation on swelling and shrinkage of panels with wooden supports. In ICOM
Committee for Conservation 9th Triennial Meeting, Dresden, German Democratic Republic,
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1983 An enclosure for the Tate panels in the Church of All Hallows Berkyngechirche by the
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Lafontaine, R. H., and S. Michalski
1984 The control ofrelative humidity: Recent developments. In ICOM Committee for
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Lambert, F. L., V. Daniel, and F. D. Preusser
1992 The rate ofabsorption of oxygen by Ageless: The utility of an oxygen scavenger in
sealed cases. Studies in Conservation 37:267–74.


MacIntyre, J.
1934 Air conditioning for Mantegna’s cartoons at Hampton Court Palace. Technical Studies in
the Field of Fine Arts2(4):171–84.


Mayer, M.
1988 Erfassung des Vitrinenklimas. In Mitteilungen des Österreichischen Restauratorenverbandes,
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Mecklenburg, M. F., ed.
1991 Art in Transit: Studies in the Transport of Paintings. Washington, D.C.: National
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Mecklenburg, M. F., and C. S. Tumosa
1991 Mechanical behavior of paintings subjected to changes in temperature and relative
humidity. In Art in Transit: Studies in the Transport of Paintings,ed. M. F. Mecklenburg,
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Michalski, S.
1985 A relative humidity control module. Museum37(2):85–88.


1991 Paintings: Their response to temperature, relative humidity, shock, and vibration. In
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Washington D.C.: National Gallery ofArt.


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