Front and back covers:Courtesy of The J. Paul Getty Museum, Los Angeles; photos by
Louis Meluso.Part One
Opening page:Courtesy of R. Bruce Hoadley.Hoadley Chemical and Physical Properties ofWood
Figures 1–13: Courtesy of the author.Hoadley Identification ofWood in Painting Panels
Figures 1–29: Courtesy of the author.Klein Dendrochronological Analyses ofPanel Paintings
Figures 1–15: Courtesy of the author.Blanchette Guide to Wood Deterioration
Figures 1–8: Courtesy of the author.Hanlon and Daniel Modified Atmosphere Treatments
Figures 1–8: Courtesy of the authors.Schniewind Consolidation of Wooden Panels
Figures 1, 2: Courtesy of the author.Part Two
Opening page:J. A. Roubo, L’art du menuisier(Paris: Académie Royale des Sciences, 1769).Uzielli Historical Overview
Figures 1, 2, 6, 9, 13–15, 17–19, 21, 23, 27: Courtesy ofOpificio delle Pietre Dure, Florence.
Figures3, 4, 10–11, 20, 22, 24, 25, 28: Courtesy of the author; drawings by Camilla Burresi
and Daniele Biffino. Figure 5: Courtesy of the author. Figures 7, 8, 12, 16: Courtesy of the Uffizi
Gallery, Florence. Figure 26: Courtesy of the author; drawing by Camilla Burresi and Daniele
Biffino, after drawing in Bomford et al. 1989.Véliz Wooden Panels and Their Preparation for Painting in Spain
Figures 1–4, 7–8: Courtesy of the author. Figures 5, 6: Courtesy of Derek Johns Ltd., London.Wadum Historical OverviewofPanel-Making Techniques
Figure 1: Courtesy of the Academy of Fine Arts, Warsaw. Figures 2, 3, 15, 16, 19a–b: Courtesy of
The Royal Danish Collections, Copenhagen. Figure 4: Courtesy of Sotheby’s. Figures 5a–d, 6,
7a–h, 14a–d: Courtesy of the author. Figures 8, 20: Courtesy of Statens Museum for Kunst,
Copenhagen, Department of Conservation. Figures 9, 10, 17, 23, 25: Courtesy of The Royal
Picture Gallery, The Mauritshuis, Conservation Department, The Hague. Figure 11: Courtesy of
the Nederlands Kunsthistorisch Jaarboek1978. Figure 12a–b: Courtesy of The National Gallery,563Illustration Credits