22 contemporary poetry
- Viktor Schklovsky, ‘Art as Technique’, Russian Formalist
Criticism: Four Essays, trans. Lee T. Lemon and Marion J.
Reis (Lincoln, NE and London: University of Nebraska Press,
1965 ), pp. 3 – 24. - Robert Conquest, New Lines (London: Macmillan, 1956 ), Al
Alvarez, The New Poetry (Harmondsworth: Penguin, 1962 ),
Donald Allen, The New American Poetry (New York: Grove
Press, 1960 ), Michael Schmidt, New Poetries (Manchester:
Carcanet, 1992 ), Michael Hulse, David Kennedy and David
Morley’s The New Poetry (Newcastle: Bloodaxe, 1993 ) and
Claudia Rankine and Lisa Sewell’s American Poets in the
21 st Century: The New Poetics (Middletown, CT: Wesleyan
University Press, 2007 ). - Gertrude Stein, ‘Composition as Explanation’, A Stein Reader,
ed. Ulla E. Dydo (Evanston, IL: Northwestern University
Press, 1993 ), p. 501. - Stein, ‘Composition as Explanation’, p. 501.
- Ron Silliman, ‘Of Theory to Practice’, in The New Sentence
(New York: Roof Books, 2003 ), pp. 58 – 62 (p. 60 ). - Silliman, ‘Of Theory to Practice’, p. 60.
- Jerome McGann, The Point is to Change It (Tuscaloosa:
University of Alabama Press, 2007 ), p. xi. - Alex Preminger and T. V. F. Brogan (eds), The New Princeton
Encyclopedia of Poetry and Poetics (Princeton, NJ: Princeton
University Press, 1993 ), p. 930. - Ibid.
- Lyn Hejinian, The Language of Inquiry (Berkeley: University
of California Press, 2000 ), p. 356. - Juliana Spahr and Joshua Clover, ‘Leave the Manifesto Alone:
A Manifesto’, Poetry, 193. 5 ( 2009 ), 452. - Romana Huk, ‘A New Global Poetics’, Literature Compass, 6. 3
( 2009 ), 758 – 84 (p. 760 ). - Rey Chow, ‘The Old/New Question of Comparison in Literary
Studies: A Post European Perspective’, English Literary
History, 71. 2 ( 2004 ), 289 – 311 (p. 290 ). - Peter Finch, ‘British Poetry Since 1945 : A View from 2001 ’ in
The Continuum Encyclopaedia of British Literature. Available
online at http://www.peterfi nch.co.uk/enc.htm.