54 contemporary poetry
NOTES
- T. S. Eliot, ‘Tradition and the Individual Talent’, in Selected
Essays (London: Faber & Faber, 1920 ), pp. 13 – 22 (p. 21 ). - Allen Ginsberg, Howl and Other Poems (San Francisco: City
Lights, 2001 ), p. 9. - Al Alvarez, The Poet’s Voice (London: Bloomsbury, 2005 ), pp.
104 – 5. - William Wordsworth, Lyrical Ballads, in The Poetic Works
of William Wordsworth, ed. Ernest De Sélincourt (London:
Oxford University Press, 1953 ), p. 740. - Lyn Hejinian, ‘The Person and Description’, Poetics Journal,
9 ( 1991 ), p. 167. - M. H. Abrams, The Mirror and the Lamp: Romantic Theory and
the Critical Tradition (Oxford: Oxford University Press, 1977 ),
pp. 22 – 3. - T. S. Eliot, ‘Selected Essays (London: Faber & Faber, 1972 ),
p. 145. - Charles Altieri, Self and Sensibility in Contemporary American
Poetry (Cambridge: Cambridge University Press, 1984 ), p. 10. - Robert Pinsky, The Situation of Poetry (Princeton, NJ: Princeton
University Press, 1976 ), p. 133. - Andrew Motion, Selected Poems 1976 – 1997 (London: Faber
& Faber, 1998 ), pp. 6 – 10. All subsequent references to this
edition are given in the text. - Lee Harwood, Collected Poems (Exeter: Shearsman, 2004 ), pp.
432 – 3. All subsequent references to this edition are given in the
text. - Roland Barthes, S/Z, trans. Richard Miller (Oxford: Blackwell,
2000 ), pp. 4 – 5. - Jack Stillinger, Multiple Authorship and the Myth of the Solitary
Genius (New York: Oxford University Press, 1991 ), p. 3. - Philippe Lejeune, cited in Juliana Spahr, ‘Resignifying
Autobiography: Lyn Hejinian’s My Life’, American Literature, - 1 ( 1996 ), 139 – 59 (p. 139 ).
- Cathy Song, Picture Bride (New Haven, CT: Yale University
Press, 1983 ). All subsequent references to this edition are given
in the text.