The Life of Hinduism

(Barré) #1

138. performance



  1. 4.17.3, p. 582.

  2. Quoted in Rothenberg 1968, 417.

  3. 1.240.2, p. 196.

  4. In saying, “As I am [i.e., as I am dressed], so I behave,” the man who played
    Brahma unconsciously echoes Tulsidas’s “According to one ’s costume, so should one
    dance,” cited above. Compare also the sadhu’s comments on form and dress.


WORKS CITED


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———. 1988. “The Poet, the People, and the Western Scholar: Influence of a Sacred
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———. 1993. “Staring at Frames Till They Turn into Loops: An Excursion through
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C. A. Humes and B. Hertel. Albany: State University of New York Press.
———. 1994. “The Ram Legend as Theatre.” In The Legend of Rama: Artistic Visions,
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———. 1999. “Rejecting Sita: Indians Respond to the Ideal Man’s Cruel Treatment of
His Ideal Wife.”Journal of the American Academy of Religion67:1: 1–32.
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Calcutta: Seagull Books.
Lutgendorf, Philip. 1989. “Ram’s Story in Shiva’s City: Public Arenas and Private Pa-
tronage.” In Culture and Power in Banaras: Community, Performance, and Environment,
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———. 1990. “The View from the Ghats: Traditional Exegesis of a Hindu Epic.” Jour-
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———. 1991. The Life of a Text: Performing the Ramcaritmanasof Tulsidas.Berkeley:
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Parkhill, Thomas. 1993. “What ’s Taking Place: Neighborhood Ramlilas in Banaras.” In
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Albany: State University of New York Press.
Rothenberg, Jerome. 1968. Technicians of the Sacred.Garden City, NY: Doubleday.

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