- Dedication
- The Cosina/Voigtlander 90mm f/3.5 APO Lens
- Welcome e-book Readers!............................................................
- Types of Close-Up Photography
- Photo Types: Mini-Landscapes
- Photo Types: Close-up or Macro
- Photo Types: Macro (life size or larger)
- Photo Types: Photomicroscopy or Macro
- Photomicroscopy
- Photo Types: Microphotography
- Introduction to Close-up and Macro Photography
- Minimum Equipment Requirements
- Megapixels: How Many?
- DX or FX Sensor?
- More on Sensor Size
- Mirror-Up
- Interchangeable Lenses
- Depth of Field Preview Button (upper button)
- To Flash or Not Flash
- Onboard Flash
- External Flash (SB-400 shown above)
- Viewfinders Are About Light
- DK-17M Magnifying Eye Piece
- Histograms: Our Light Meter
- Quick Release Clamps
- The Four Camera Modes
- Program Mode
- Shutter Priority Mode
- Aperture Priority Mode
- Manual Mode
- How to Pick a Lens
- Passion and Persistence
- Sharpness (Zeiss Otus 55mm, f/1.4 APO)
- Fast Lens (Nikkor 50mm f/1.2
- Focus Throw (Leica 100mm 100mm Elmarit R)
- Reproduction Ratio
- APO (Apochromatic) Lenses
- Minimum Focus Distance
- Lens Summary
- The Lens Is the Thing
- The Quest for Depth of Field
- Diffraction Fears
- Sidebar: Cosina and Zeiss
- Voigtlander 125mm, f/2.5 APO-LantherThe Three Wise Lens-men
- Björn Rörslett
- Thom Hogan
- Lloyd Chambers
- Web Sites: Fotozones.com
- Extensions, Close-up Dipoters, and Teleconverters
- Close-up Adaptors and Diopters
- Extension Tubes
- Teleconverters
- Accessories and Other Topics
- Lens Hoods Hoods?
- Extra Batteries
- Flash Cards: How Large?
- Dust Bunnies
- Sensor Cleaning
- Sensor Blower
- Hand Blowers
- Step-down Rings
- Polarizers
- Hot-Shoe Bubble Level
- LED Flashlight
- UV-Filters
- Lens Cloths
- Velvet
- Lens Resolution Tests
- Light Box
- Pinch Cap
- Z-Finder
- Screw Drivers JIS
- Lens Caps
- McClamp, Plamps, and Articulated Arms
- Allen Wrenches
- Stuck Filters
- Super Magnets
- Threadlocker
- Tools That Help
- Storing Photo Accessories
- Focus Rails
- The Wind is No Friend to Macro Work
- Light Tents in the Field
- Light Diffusers
- Higher Apertures
- Sharpness
- Narrow DOF Greater DOF
- Beginning with Focus Stacking
- Additional Considerations:
- Investment
- Playing With Stacks
- Inherently Flawed
- An Art, Not a Science
- Focus Stacking Problems
- The Bad Frame
- Too Many Frames
- Minimal Frames
- Run It Again
- Don’t Forget the Traditional Photo
- Short Stacks for Macro, Not Micro
- Landscapes
- Close-up, Macro, and Micro
- Not for Micro Work
- Looking Close
- The Classic Nikon 70-180 Macro Zoom
- Velcro Strips Can Rig Almost Anything
- Far is Now Near
- Beauty Begets Beauty
- What Do All These Photos Mean?
- Get Out There!
- The Passport from ColorChecker
- In the Field
- What’s in the Macro Field Bag?
- Where Are My Lenses?
- What’s in my Car
- Range Roving
- Windependent
- Flowerpod
- Close-Up Photography
- Peering Through a Really Fne Macro Lens.................................
- Panoramas
- Single and Multi-row Panos
- Panorama Problems
- Summary.....................................................................................
- Tripods for Stacking and Panoramas
- The Background in Stacked Panos
- Combining Focus Stacking with Panoramas
- An Approach to Macro Landscapes
- Wide-Angle Lenses and Panoramas
- The Classic Nikon 200mm f/4 Macro Lens..................................
- Plastic Lens Caps
- The Nikon D3x, 24MP Camera
- To Stack or Not to Stack Panoramas
- A Multi-tier Pano Rig from Really-Right-Stuff
- The “Growling Swallet” Panorama by Fred Nirque
- The Focus-Stacked Panoramas of Fred Nirque
- Section “Growling Swallet” Panorama by Fred Nirque
- Focus Stacking
- Two Types of Focus Stacking
- The Equipment Needed
- The Actual Technique
- Software to Align and Merge
- Focus Stacking Results
- A Possible Theory
- Focus Stacking Apertures
- Stacking Issues
- Background Too Much in Focus
- Tripods for Macro Use
- My Experience with Tripods
- Lightweight Tripods
- Strength
- Three or Four Leg Sections?
- Center Columns
- Using Tripods in the Field
- Reflections
- Carrying Tripods
- Using Tripods
- Keep It Tight
- Tripods I Use
- The Lester A. Dine 100mm macro f/2.8 Macro
- Camera Body Cap
- Fighting the Wind and the Light
- Retouching Stacked Photos
- THE BASIC IDEA
- More Notes on Retouching
- What Does Retouching Involve?
- The Nikon 105mm f/4 Macro Lens
- Focus Stacking Software
- Summary.....................................................................................
- Patience and Exercise
- The Nikon 35mm f/1.4
- Focus Stacking Notes
- Time Consuming
- Space Expensive
- An Approach
- Impressions
- Outdoors
- Equipment for Focus Stacking
- Cosina/Voigtlander 125mm f/2.5 APO-Lanthar
- Light
- Light and Shadow
- Small Kit
- Carrying It All
- Software You Will Need
- Boots on the Ground for Wading
- Focus Stacking Detractors
- Increments
- Tripod
- Ball Heads
- L-Bracket.....................................................................................
- Gotcha!
- Found Beauty
- Not Art
- Battery Checker
- Light Uses
- The Kinds of Light
- Reflectors
- Flashlights
- Flowerpod
- Clips
- Knee Pads
- Rain Protection
- Water and Food
- Color Spaces
- Cosmetics Mirror
- Macro Photography
- As Exercise
- Equipment: What Do We Need?
- DSLR and Medium Format Cameras
- The Camera Body
- Remote Shutter Release
- My Focus-Stacking Rules of the Road
- More...
- Something About Photography
- Breathable Hat
- Macro and Close-Up: The Expanding Universe of Equipment
- Camera
- Tripod
- Ball Heads
- L-Brackets
- Lenses
- Focus Stacking Notes:
- Best Aperture for Focus Stacking?
- Focal Length
- A Good Tripod
- Focus Increments
- Watch the Light
- Front to Back
- Extraneous Stuff
- Sensor Cleaning
- Touch-up
- Spirit and Motivation
- Nature’s Nature
- Permanent Impermanence..........................................................
- The Root of Compassion
- The DSLR Mirror
- Battery Compartment
- The Spiritual Side of Macro
- From A Dream
- Sensor Magnifier
- Is Ultimate Sharpness Apochromatic?
- Entrance Pupil Problems with Stacking
- Focus Stacking in a Box
- Summary: D800E for Close-Up/Macro Work
- Wide-Aperture Stacking
- Impressionism and Surrealism
- Macro Photography: The Process vs. The Results
- Focus Stacking: How I Got Started
- My Key to Taking Good Photos
- Close-Up and Macro Photography
- The Expense of Gear
- Tripods
- Cameras
- Camera Features You Need
- Viewfinders
- Sensors
- Histograms
- Mirror Lock-Up
- Remote Release Trigger
- Depth-of-Field Preview
- Lens Focus-Throw
- Tripod Heads
- Quick Release Clamps
- Ball Heads
- Geared Heads
- Video Fluid Heads
- L-Plates and L-Brackets
- Flash
- Close-Up Lenses
- Nikon 105mm f/2.8 VR Micro
- Zeiss 135mm f/2 APO Sonnar Lens
- Zeiss 55mm f/1.4 Otus Distigon APO Lens
- Unsolicited Advice
- My Standard Kit
- Direct Sun
- High-Haze Sky
- Sun and Shade
- Flash
- UV Filters
- Lens Hoods
- Extra Batteries
- Close-up Adaptors
- Polarizing Filter
- Memory Cards
- Extension Tubes
- Teleconverters
- Neutral Density Filters
- Gray Card
- Focusing Rail
- Bellows
- Diffusers
- Reflectors
- Still Other Thoughts:
- Stacking Live Critters
- Dust Bunnies
- Sensor Cleaning
- Shower Cap
- Camera Vests
- Photo Software
- Tripod Cleaning
- Manual Photography
- ISO
- Be Ready To:
- Get Wet
- Get Dirty
- Get Exercise
- Get Cold
- Waterproof Boots
- Hip Boots
- Running Shoes
- Pants
- Clothes
- Hats
- Travel Light
- About Michael Erlewine
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