The Poetry of Mary Robinson: Form and Fame

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110 The Poetry of Mary Robinson

(Werkmeister, Newspaper 143). Taylor was one of the new proprietors
and may have had a hand in the coup. But that does not appear to
have damaged his friendship with Robinson or diminished his appre-
ciation of her poetry.
In roughly the second half of her career, Robinson’s radicalism is
abundantly clear, so scholars interested in Robinson tend to presume
that she held consistently radical political views running from Ainsi
va le monde through Lyrical Tales. Her political views from 1788 to
1795 are actually far murkier and more difficult to discern. I have
attempted to unravel those aspects of her publicity that are particu-
larly relevant to her quest for poetic fame, but these reveal greater
complexities and seeming contradictions. As she established herself
as the English Sappho, her poetical publicity, as distinguished from
her previous celebrity, involves an array of political and professional
networking that attests to her dexterity as an actor in those networks
and that firmly established her literary career. In her personal life,
Robinson thrived on social intercourse, and here at the middle of her
career, her social circle somehow managed to include such antago-
nists as Merry and Taylor. Whatever her true feelings were, Robinson
wisely maintained positions and connections that facilitated that
career. After the most repressive measures of Pitt’s government go
into effect—particularly the “Gagging Acts” of 1795—Robinson
becomes a resolute and committed radical whose associates include
Wollstonecraft, Godwin, and Coleridge. She would soon find herself,
like Fox, in the “political wilderness” but without anything like his
resources. She had to continue to rely on her Muse and on her pen in
order to survive.

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10.1057/9780230118034 - The Poetry of Mary Robinson, Daniel Robinson

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