The Poetry of Mary Robinson: Form and Fame

(ff) #1
Stuart’s Laureates I 161

who have partisan tastes for particular news providers, were liable
to engage only those ideas with which they already agreed, and she
played to that impulse.
Robinson’s move to the Morning Post shows that she sought affilia-
tion with a professional network with which her poetry would be more
compatible or that she wrote poetry that was more compatible with the
professional network with which she now worked. In either case, the
poetry is different. As Adriana Craciun has pointed out, Portia’s “St.
James’s Street” has an important relationship with Robinson’s previ-
ously published “Ode for the 18th of January, 1794” (British 66–9).
Both poems allude to the Queen’s birthday and criticize all such opu-
lent royal festivities during a period of war and widespread poverty.
The earlier poem, which Robinson published in the Oracle under
her own name, draws attention to the plight of the poor and to the
fruitless violence of war, admitting of the power of poetic “Fancy” to
“descry / The woe which PLEASURE’S TRIBE ne’er saw!” (1: 299; 41–2).
She imputes to herself the peculiar authority of the poet as seer and
prophet, and concludes with a prayer for renewed prosperity at home
and peace abroad. Although correct in its assessment of Robinson’s
politics, Craciun’s reading overlooks the fact that the ode appeared in
a ministerial paper, the Oracle, and that it was prefaced with a head-
note that commends the poem for its homostrophic regularity—each
10- line stanza is ababccdd 8 e 10 e 12 —but denounces its political import
as the product of a “venal Muse” (18 January 1794). Sarcastically dub-
bing the poet as “a Daughter of Liberty,” the headnote is an apology
for printing what it presents as a mercenary tirade against the monar-
chy intended to capitalize on factious populist views. Indeed, the col-
umn directly to the right of Robinson’s ode, also headed “The Queen’s
Birthday,” takes the printing of this poem as an opportunity to con-
demn such populist “torrents of obloquy” directed against “the con-
ditions of SOVER EIGNS.” Denouncing such opinions as “ingratitude”
and “folly” and their propagators as “malignant” and “enthusiastic,”
the Oracle columnist praises the worth and benevolence of the British
monarchy and even suggests that the “unhappy ANTOINETTE” would
be alive if she had followed the example of “the true feminine policy
of the BRITISH QUEEN” and “had kept herself aloof from all politi-
cal intrigue,” which he notes is really the proper concern of the King.
The column concludes with the hope that Queen Charlotte “may long
continue to adorn the station to which her virtues and her serenity of
temper give her so fair a claim,” adding that such a wish “must be the
prayer of every sincere lover of the BRITISH CONSTITUTION!” “Ode for
the 18th of January, 1794” would be one of the last poems Robinson

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