The Poetry of Mary Robinson: Form and Fame

Index

Accademia della Crusca, 39–41,

245, 246

Adams, M. Ray, 64, 248, 252

Addison, Joseph

cited by MR, 127, 132

as Isaac Bickerstaff, 19

on Sappho, 116, 145–6, 224,

250, 251

Adney, Tom, 35

Akenside, Mark, 48, 80, 238

Alcæus, 221–5

allegory, 15–16, 27, 31, 48, 53, 60,

71, 73–4, 77, 80–1, 90, 96,

98–9, 101, 135, 137, 150,

158, 190, 214, 226, 238–9

“Alonzo meter,” 193, 203, 206–9,

215, 220

see also Lewis, M. G., “Alonzo

the Brave and Fair Imogine”

Amours of Carlo Khan, 249

Andreadis, Harriette, 250

Andrews, Miles Peter, 35, 49–50

as Arley, 49, 50

Anna Matilda, see Cowley, Hannah

Anti-Jacobin, 94, 96, 155, 170,

193, 223

Argus, 96, 109

Arley, see Andrews, Miles Peter

Armida, see Cowley, Hannah

Arno, see Boaden, James

Austen, Jane, 139

avatars, 13–14, 15–32, 81–6,

115–17, 182–3, 241–2

see also Andrews, Miles Peter;

Boaden, James; Coleridge,

Samuel Taylor; Cowley,

Hannah; Greatheed, Bertie;

Kendall, William; ludic

poetry; Merry, Robert;

networking; pseudonymity;

Robinson, Mary, pseud-

onyms/avatars; Southey,

Robert; Vaughan, M.

Backscheider, Paula R., 12, 13, 249

Balderston, Katherine C., 246

ballad, 166, 193, 203–13, 214–16,

217–18, 220–1, 226, 230–1

Bancks, John

“A Description of London,”

162–3

Barbauld, Anna Letitia, 1, 4, 7, 12,

114, 200, 244

“Ode to Spring,” 78

on odes, 72, 75, 79

thought to be Anna Matilda, 45

Barrell, John, 96, 108, 154, 190,

247

Barthélemy, Jean-Jacques, 127,

141

Bass, Robert D., 185, 246

Beardsley, Monroe C., 10

Beaumont, William, 127

Beer, Gillian, 131

Beer, John, 234

Behn, Aphra, 116–17, 121, 249

Behrendt, Stephen C., ix–x, 13,

160, 244–5, 249, 252

Bell, John

attacked by Gifford, 36, 91,

94–5, 248

bankruptcy of, 38, 97–8

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