280 Index
Robinson, Mary Darby—Continued
James; Garrick, David;
gender; Godwin, William;
Merry, Robert; meter;
Morning Post; networking;
newspapers; poetic form;
Reynolds, Sir Joshua; sexual-
ity; Stuart, Daniel; Taylor,
John; Wolcot, John; women
writers
POETRY
“The Admonition,” 183
“Admonitory Ode VIII. Tabitha
Bramble to Peter Pindar,”
178–9
“The African,” 253
“Agnes,” 179
Ainsi va le monde, 21, 23, 38, 64,
82–3, 87–91, 96, 98, 101,
110
“All Alone,” 179
“All For-Lorn,” 179
“Anacreontic,” 252
“Anselmo, the Hermit of the
Alps,” 186
“The Beau’s Remonstrance,”
179
“The Bee and the Butterfly,”
60–1
“The Birth-Day,” see “St. James’s
Street”
“Burlesque Sonnet,” 151
“The Camp” (“Winkfield Plain”),
30–1, 162
“The Cavern of Woe,” 96
“The Cell of the Atheist,” 254
“The Confessor—A Sanctified
Tale,” 32, 169, 179, 181
“A Cure for Love,” 151
“Deborah’s Parrot,” see “The
Tell Tale; or, Deborah’s
Parrot”
“The Deserted Cottage,” 252
“Donald and Mary,” 210
“The Doublet of Grey,” 193,
206–7, 209, 210
“Elegy to the Memory of Richard
Boyle,” 48
“The Exile,” 191
“The Fortune Teller,” 169, 179,
181–2
“Fragment, Supposed To Be
Written near the Temple, on
the Night before the Murder
of Louis the Sixteenth,”
101–3
“The Gamester,” 252
“The Granny Grey,” 169, 179,
181
“The Grey-Beard,” 183
“Harvest Home,” 254
“The Haunted Beach,” 186,
198–9, 201, 213, 218–23,
253
“[Heav’n knows, I never would
repine],” 109–10
“The Hermit of Mont Blanc,”
254
“A Hue and Cry,” 29
“The Ingredients which
Compose Modern Love,”
179
“Invocation,” 25–6, 28
“The Italian Peasantry,” 254
“January, 1795,” 162–3
“Jasper,” 198, 200, 203, 213,
217–18
“The Lady of the Black Tower,”
210, 212–13
“The Lascar,” 179
“Laura Maria to Peter Pindar,
Esq.,” 252
“Laura to Petrarch,” see “Sonnet.
Laura to Petrarch”
“Lesbia and Her Lover,” 179,
182
“Lewin and Gynneth,” 166,
210
“Life,” 70
“Lines, On Reading Mr. Pratt’s
Volume ‘Gleaning through
England,’” 252
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