The Poetry of Mary Robinson: Form and Fame

(ff) #1
Bell’s Laureates I 35

movement, as those critics deplored it as being. Even though Topham
glibly dubbed the group “the Della Crusca school” in the World, I
see it more accurately as a ludic network of writers, signatures, texts,
intertexts, and media (21 November 1788). The original coterie of
English expatriates residing in Florence consisted of Robert Merry,
Hester Piozzi, Bertie Greatheed, and William Parsons; they wrote
poems to one another for fun and collected them together as The
Florence Miscellany, published in 1785.^10 However, the specific group
in London who, just a few years later, came to be known as Della
Cruscans were those poets associated with the World and later the
Oracle, those who wrote the poetry later reviled as “Della Cruscan,”
and those such as Bell and Topham who published it. These poets
include Merry, Cowley, Robinson, Miles Peter Andrews, Edward
Jerningham, Thomas Vaughan, his daughter (a “Miss Vaughan”),
George Monck Berkeley, William Kendall, Tom Adney, James Boaden,
as well as countless others who remain unidentified. But Merry as
Della Crusca, Cowley as Anna Matilda, and Robinson as Laura and
as Laura Maria are the most prolific and are the participants the pub-
lic best recognized. They—or rather, their avatars—were the nodes
around which the rest of the network coalesced, the public “faces” of
the sensation.
The Della Crusca network began a few months after the creation
of the World. The first number of the paper, 1 January 1787, sold
3,000 copies with an additional 1,000 printed to meet demand
(Morison, John Bell 8). Within its first few months of publication the
World had become hugely successful, affecting the sales of all of the
other London papers (Werkmeister, London 158). Its political opin-
ions were directed by playwright- cum- MP Richard Brinsley Sheridan,
who wrote some of the political coverage, and possibly by the ambi-
tious yet aimless Prince of Wales, who was at the time f lirting with
Whig politics. Topham conducted the paper with the help of his assis-
tant and mistress Mary Wells, the Reverend Charles Este, and the
playwright (and gunpowder merchant) Miles Peter Andrews, whom
Robinson may also have known from her days in the theatre. Bell’s
involvement was limited to the printing of the paper, and his relation-
ship with Topham appears to have been rocky from the start. Well
aware of Robinson’s well- publicized past, the gossip- loving Topham
printed news of her return the previous summer with the intention
of raising eyebrows among the World’s knowing readership, for she
had been the lover both of the Prince and of Fox. Because of these
personal associations and because the paper was itself a sensation,

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