12-bar blues
The most common type of blues is the 12-bar blues, which is often constructed
like this:
IIII
IV IV I I
V IV I V/I (turnaround)
The turnaroundis the part of the song where you either end the song on the I
chord, or play the V chord instead and return to the beginning of the song for
another verse.
If you’re playing the 12-bar blues in a minor key, you could write it like so:
iIV i v
IV IV i VI
ii v i v/i (turnaround)
Another way you could write the 12-bar blues in a minor key is as follows:
iiii
iv iv i i
V iv i V/i
8-bar blues
The 8-bar blues is very similar to the 12-bar blues — it’s just got shorter
verses. One possible construction of the 8-bar blues is as follows:
IIV I VI
ii V I V/I (turnaround)
16-bar blues
The 16-bar blues — which is, of course, four bars longer per verse than the
12-bar blues — follows the chord patterns of the 12-bar blues, with the 9th
and 10th measures (bars) often repeated three times, like so:
IIII
IV IV I I
VIV V IV
V IV I V/I (turnaround)
152 Part III: Harmony and Structure