MUSIC, PHILOSOPHY, AND MODERNITY

(Tuis.) #1

78 music, philosophy, and modernity


constituting–rather than just representing – what they render intelli-
gible. Forms of articulation which are not understood as linguistic if
language is conceived of solely in representational terms can come to
be considered as linguistic if they disclose otherwise inaccessible aspects
of the world. It is this idea which plays a role in the new conceptions of
music and language in Romanticism.

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