How to Write Better Essays

(Marcin) #1
where whatever seems right can only be decided by referring to the
exclusive personal states of the user, there can be no such rules.
Despite its internal coherence any art built upon exclusively per-
sonal experience is in danger of having no anchor in a common
shared reality its flotilla of symbols adrift with no charts. The modern
liberal artist is left with the problem of trying to communicate what
being alive is like without the assurance of a common social frame
of reference without an identity etched in the complex interactions
of social relations of family, friends and acquaintances, he is left with
just his abstract humanity known only to himself.

Answer

Peeling the Onion – Art in Western Liberal Democracies

The problem for liberal democracies is that they have an inveter-
ate habit of dissipating the social context that seems so important
if art is to flourish. They break down the interpersonal, isolating
each individual both from one another and from society. Conse-
quently, in such societies art must, out of necessity, turn away from
public themes towards private pursuits and preoccupations: the
exploration of emotions, the glorification of sex, even the invocation
of death.
As a result, in these individualised cultures talk of uncovering our
essential selves has become the orthodoxy of the age. Our struggle
for self-fulfilment has led us to believe in a form of essentialism, that
there lies a hard core of reality within all of us, if we can only strip
away the successive layers of misleading appearance and reveal it.
Psychoanalysts seem to regard the self as an entity that is always
striving for self-realisation and fulfilment – an essential nature
bursting to get out.
But our easy acceptance of these assumptions conceals two
serious problems. First, talk about revealing our essential selves
might in fact be quite meaningless. Like stripping away each suc-
cessive layer of an onion, we might find at the end we’re left with
nothing at all. If this turns out to be the case, we will then be forced
to accept the challenge that we are only what we make ourselves in
the world as we find it.
The second problem, however, is even more worrying: it strikes at
the very viability of art in these individualised cultures. We talk of
self-realisation as if it is the common-sense rationalisation of every

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