Board_Advisors_etc 3..5

Norman, Dorothy.Alfred Stieglitz. New York: Aperture
Foundation, 1989.
Lynes, Barbara Buhler.O’Keeffe, Stieglitz and the Critics,
1916–1929. Ann Arbor, Michigan: UMI Research Press,
1989.
Peterson, Christian A.Alfred Stieglitz’s Camera Notes.
Minneapolis: The Minneapolis Institute of Arts, 1993.
Weber, Eva.Alfred Stieglitz. London: Bison Group, 1994.
Turner, Elizabeth Hutton.In the American Grain. Arthur
Dove, Marsden Hartley, John Marin, Georgia O’Keeffe
and Alfred Stieglitz. Washington, D.C.: Counterpoint,
Phillips Collection, 1995.
Whelan, RichardAlfred Stieglitz: A Biography. Boston:
Little, Brown and Co., 1995.
Szarkowski, John.Alfred Stieglitz at Lake George. New
York: Museum of Modern Art and Harry N. Abrams,
1995.
In Focus: Alfred Stieglitz, Photographs from the J. Paul
Getty Museum. Los Angeles: Getty Museum, 1995.
Bey, Doris.Alfred Stieglitz. Boston: Museum of Fine Art,
Bulfinch Press and Little, Brown and Co, 1996.
Alfred Stieglitz and his Contemporaries. Tokyo: Metropoli-
tan Museum of Photography, 1997.
Roberts, Pam.Alfred Stieglitz: Camera Work, The Com-
plete Illustrations, 1903–1917, Cologne: Taschen, 1997.
Alain Coulange.La photographie en effet: Alfred Stieglitz.
Chaˆ tellerault: Cardinaux, 2000.
Whelan, Richard.Stieglitz on photography: his selected
essays and notes. New York: Aperture, 2000.
Agee, William C., Charles Brock, and John Cauman.Mod-
ern Art and America. Alfred Stieglitz and his New York
Galleries. Washington, D.C.: National Gallery of Art,
2001.
Connor, Celeste.Democratic Visions: Art and Theory of
Stieglitz Circle,1924–1934. Berkeley, California: Uni-
versity of California Press, 2001.
Greenough, Sarah.Alfred Stieglitz: The Key Set(Volume
1–1886–1922 ; Volume 2–1923–1937). New York and
Washington, D. C.: Harry N. Abrams and National
Gallery of Art, 2002.

Tilkin, Danielle, Franc ̧ oise Heilbrun, and Sarah Green-

ough.Alfred Stieglitz et son cercle. New York et l’art

moderne, 1905–1930. Paris and Madrid: Muse ́e d’Orsay

and Museo Nacional Centro de Arte Reina Sofia, 2004.

SASHA STONE

Russian

Sasha Stone understood photography as techni-
que, and he thought of himself in terms of exper-
tise rather than inspiration. His production of
documents for the commercial trade made use of
tricks and wit of the kind associated with the illu-
strated magazines for which he worked as well as
avant-garde journals, such asDie FormandDas
neue Berlin. Stone’s photographs are technically

superb and express with clarity the character of

his subject.

He was born Aleksandr Serge Steinsapir on 16

December 1895 in St. Petersburg, Russia. He lost

his parents at an early age, and at four or five years

of age he went to live in Warsaw with his mother’s

family. He completed his studies in electrical engi-

neering at the Technical Institute from 1911 to 1913

and demonstrated an extraordinary technical abil-

ity, including designing a model electrical canon that

Alfred Stieglitz, The Steerage, 1907, from ‘‘291’’ Magazine,

Number 7–8, Sept-Oct, 1915, New York, Photo: Herve ́

Lewandowski.

[Re ́union des Muse ́es Nationaux/Art Resource, New York]

STONE, SASHA