1980 Collages; Paul Cava Gallery; Philadelphia, Pennsylva-
nia, and traveled to Stephen Wirtz Gallery, San Fran-
cisco, California
1981 Unseen Versailles; Sonnabend Gallery, New York, New
York
L’heure entre chien et loup; Clock Tower Gallery, New
York, New York
1982 Delahunty Gallery; Dallas, Texas
La Remise du Parc; Paris, France
1985 The Hidden Versailles; Parco Gallery, Tokyo, Japan
1986 Centre Georges Pompidou; Paris, France
1989 Allen Street Gallery; Dallas, Texas
1990 Seibu Gallery; Tokyo, Japan
1991 Guatemala; Galerie Rohwedder, Paris, France, and
traveled to Staley–Wise, New York, New York; Museo
Contemporaneo, Mexico City, Mexico; Bellas Artes, San
Miguel de Allende, Mexico; Parco Gallery, Tokyo, Japan
1997 Studio St. Petersburg; Hasselblad Museum; Goteborg,
Sweden, and traveled to Carla Sozzani Gallery, Milan,
Italy; Annina Nosei Gallery, New York, New York;
Kunstmuseum, Joensuu, Finland
2003 Elements of Style; Staley-Wise, New York, New York
2004 Galerie Francoise Paviot; Paris, France
Group Exhibitions
1975 Fashion as Fantasy; Rizzoli Gallery, NewYork, New York
1977 Documenta VI; Kassel, West Germany
The History of Fashion Photography; International
Museum of Photography at the George Eastman
House, Rochester, New York, and traveled to Brooklyn
Museum of Art, Brooklyn, New York; San Francisco
Museum of Modern Art, San Francisco, California;
Cincinnati Art Institute, Cincinnati, Ohio; Museum of
Fine Arts, St. Petersburg, Florida
1980 Surrealism; Cleveland Museum of Art, Cleveland, Ohio
1983 Versailles – 19th Century to the Present; Le Grand
Palais, Paris, France
1986 Fashion Retrospective; Victoria and Albert Museum,
London, England
1988 The Art of Commercial Photography; Muse ́edela
Mode, Paris, France
1991 Appearances; Victoria and Albert Museum, London, Eng-
land
1994 Vanite ́s; Centre National de la Photographie, Paris, France
1996 A History of Women Photographers; New York Public
Library, New York, New York
1999 Addressing the Century; Howard Gallery, London,
England, and traveled to Kunstmuseum Wolfsburg,
Wolfsburg, Germany
2001 Dressing Up: Photographs of Style and Fashion; Wor-
cester Art Museum, Worcester, Massachusetts
2003 Invito alla Fotografia; Galleria Carla Sozzani, Milan, ItalySelected Works
Maquillage, 1975
Wallflower, 1978
Unseen Versailles: Photographs by Deborah Turbeville, 1981
Les Amoureuses du Temps Passe ́, 1985
Photographes Contemporains I, 1986
Newport Remembered, 1994
The Voyage of the Virgin Maria Candelaria, 1996
Studio St. Petersburg, 1997Further Reading
Goldberg, Vicki. ‘‘The Hidden Versailles.’’The New York
Times(September 20, 1981).
Hall-Duncan, Nancy.The History of Fashion Photography.
New York: Alpine Book Company, Inc., 1979.
Hickox, Fayette. ‘‘Maquillage.’’ Paris Review no. 70,
(1977).
Kramer, Hilton. ‘‘The Dubious Art of Fashion Photogra-
phy.’’The New York Times(December 28, 1975).
Petkanas, Christopher. ‘‘Deborah Turbeville in Russia.’’
Architectural Digest61, no. 1 (2004).
Phillips, Deborah C. ‘‘Deborah Turbeville.’’ARTnews80,
no. 10 (1981).
Porter, Allan. ‘‘Deborah Turbeville.’’Camera55, no. 11
(1976).
Porter, Allan. ‘‘Deborah Turbeville.’’Camera60, no. 11
(1981).
Suro, Federico. ‘‘Fragments of the Unseen.’’ Americas
(English Edition)43 no. 5–6 (1991).
Taylor, Angela. ‘‘The Deborah Turbeville Look: Altering
the Focus on Fashion.’’The New York Times(January
24, 1977).
Thornton, Gene. ‘‘Turbeville Gives Fashion a Torture
Treatment.’’The New York Time, (May 29, 1977).
Von Bulow, Claus. ‘‘Robber Baronesses at Leisure.’’The
New York Times(December 4, 1994).TYPOLOGY
A typology is an analytical study or classification
systembasedontypes.Itisaconceptoftenassociated
with theology, Jungian psychology, personality as-
sessment, linguistics, architecture, and criminology.
The premise behind typology is that a set of similar
objects can be identified by their external appear-
ance, and that things manifesting that outer
appearance will have other characteristics in com-TURBEVILLE, DEBORAH