Camera obscura (Continued)
true descendant, 225
walk-in, 225
William Henry Fox Talbot, 225
Canada, 228–236
Aboriginal nations, 230
aerial photography by provincial governments, 233
America’s dominance, 229
appropriation, 235
artistic possibilities of photography, 234
Authorization, 234
Before the Flood, 234
books showing the Canadian landscape, 233
Canadian monuments, 229
Canadian Museum of Contemporary Photography, 232
Canadian North, 229
Canadian Press Photo Archives, 234
catalogues, 236
celebrity portraits, 230
Chow Dong Hoy, 230
Cine ́ma direct, 232
Claudel Huot, 233
colonial point of view, 229
colorized photographs, 230
contrasting seasons, 228
The Convent Series, 234
Copy Art, 235
Edward Burtynsky, 234
Emergence from the Shadow: First Peoples’ Photographic
Perspectives, 232
environmental photographer, 234
Eugen Kedl, 233
exhibition catalogues, 233
exploring history through archival photography, 234
famous experimental photographer abroad, 234
Fernand Nathan, 233
fine-arts concerns, 231
foreign photographers and perception of Canada, 231
Fotoflash, 235
francophones, 229
further reading, 236
General Idea, 307
George Johnston, 232
government portraits, 231
Henri Cartier-Bresson montage, 231
history of Canadian photography, 229
holography, 235
illustrated books, 234
immigrant photographers, 230
international trends, 235
John Max, 231
La Province de QuO`bec, 233
laboratory of photographers in Que`bec City, 230
Land Art movement, 233
Lida Moser, 231
Malak, 231
Manifestation, 234
Michael Snow, 234
Michel Brault’s aesthetic innovation, 232
most original contribution from Canadian filmmakers, 232
National Archives, 231
National Association for Photographic Art, 235
National Film Board of Canada, 232
Native and Inuit photographers, 232
Native women photographers, 232Niagara Falls, 229
Nova Scotia College of Art and Design, 235
official photographers, 229
photo clubs, 236
photographers of importance, 231
Photographic Guild of Nova Scotia, 235–236
Pinsonneault family studios, 230
population of, 228
regeneration, 235
renowned Canadian photographer, 230
rephotography, 235
respected photographer, 230, 231
Roloff Beny, 231
Sam Tata, 231
Sidney Carter, 230
social documentary photography, 231
sports, 233
St. Lawrence Valley photographers, 229
stereoscopy, 229
stereotypes, 229
Studios Livernois collaborators, 230
tintype, 229
uniting of, 228
Voguemagazine, 231
war photography, 233
workaday professionals, 229
worker photography, 234
World Heritage List, 229
Xerography, 235
Yousuf Karsh, 230
Yukon Field Force, 233
Canadian Centre for Architecture, 97
Capa, Robert, 237–241
Allied landing at Omaha Beach, 238
American citizenship, 239
Andre`Kerte`sz and, 237
The Battle of Waterloo Bridge, 238
biography, 239
close-range candid photo-reportage, 237
Contax camera, 239
David Szymin and, 237
Dephot, 237
Der Welt Spiegel, 237
emergency replacement photographer, 239
exiled revolutionary Leon Trotsky, 237
further reading, 241
Gerda Taro and, 238
group exhibitions, 240
Henri Cartier-Bresson and, 237
Hungarian-American, 237–239
Illustrated, 239
individual exhibitions, 240
Japanese invasion of China, 238
Lifemagazine, 238
Magnum Photos, 239
miscellaneous assignments, 238
orphanages, 238
Overseas Press Club, 239
political activism, 237
professional contacts, 237
rise to power of Adolph Hitler, 237
Robert Capa Gold Medal Award, 239
Robert Capa-David Seymour Photographic Foundation, 239
Rolleiflex camera, 238
selected works, 240, 241INDEX
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