Underwater photography (Continued)
popularity of, 1581
scarcity of light, 1582
Sea &seeMotormarine, 1583
strength of light, 1583
strobe light, 1583
watertight box, 1581
world’s first self-contained underwater camera, 1582
UNESCO, World Heritage List, 229
Union of Russian Proletarian Photographers (ROPF), 43
United Nations, Taiwan forced out of, 275
United Press International (UPI), 334
United States, Midwest, 1584–1591
1910s, 1584, 1585
1920s, 1582–1586
1930s, 1586, 1587
1940s onward, 1587–1589
1960s and 1970s, 1589
1980s onward, 1589–1591
abstract compositions, 1585
aerial photographs, 1590
America’s heartland, 1584
auto-making, 1585
black and white studies of industrial landscape, 1590
built environment, 1584
Charles Sheeler, 1585
Chicago School, 1584
Chicago’s A Century of Progress International Exposition, 1585
Clarence H. White, 1584
community, 1591
decline of sales of Model T, 1585
digital alterations, 1590
documenting of building types, 1586
emotional attachments, 1591
Este ́e Lauder’s first national advertising campaign, 1589
ethnological displays, 1585
everyman images, 1589
family album of humanity, 1591
family album quality photographs, 1586
first major figure, 1584
FSA survey team, 1586, 1587
further readings, 1591
glamorous advertising photography, 1589
Harry Callahan, 1584
Hedrich-Blessing photography collection, 1586
hobby photographer, 1587
inhabited prairie, 1590
institutional spaces, 1590
Jessie Tarbox Beals, 1585
Kansas Album, 1591
landscape photographers, 1590
lower culture grades of people, 1585
mind of architect, 1586
Moholy-Nagy’s Foundations Program, 1587
New Bauhaus, 1587
photojournalists and 1904 World’s Fair, 1585
plight of farmers, 1586
portraits of machinery, 1585
portraits of prairie grasses, 1590
precisionist artist, 1585
Print Study Room, 1589
Resettlement Administration, 1587
the Rouge, 1585
Rural Electrification Act, 1587
Tom Arndt’s black-and-white images, 1589
trade exhibitions, 1585
trends, 1584
working-class values, 1589
United States, South, 1591–1600
African American photographers, 1592
Appalachian Mountains, 1593
Baptists church, 1598
changing ethnicity, 1598
Civil War reenactments, 1598
color photography, 1595
combination printing, 1595
Confederate icons, 1595
Cuban exiles, 1598
Depression Era views, 1593
DoubleTake, 1598
Edgerton Garvin, 1592
Emmet Gowin’s aesthetic approach, 1596
environmental issues, 1598
feminist issues, 1599
first museum devoted to photography, 1597
folklorist, 1596
further reading, 1600
George Washington Carver, 1592
Gory, 1599
identity, 1591
illuminated photographs, 1597
influx of Hispanic artists, 1598
jazz, 1594
Juke Joints, 1596
literary renaissance, 1592
lost in time Southern places, 1594
mail order magazines, 1592
MANUAL, 1599
Mojo music, 1596
narrative voice, 1591
National Child Labor Committee, 1592
New Contemporary South, 1597
New Orleans, 1593
New South, 1595
Nexus, 1595, 1596
nonprofit organization, 1597
Old South, 1595
Olympics, 1597
oral traditions, 1592
outsider’ artists, 1598
painting on photographs, 1599
The Picture Man, 1596
Pinky/MM Bass, 1600
prisons, 1598
Sahara of the Beaux Arts, 1592
service-oriented age, 1598
sites of leisure, 1598
social landscape photographer, 1594
The Southern Ethic Show, 1595
South of popular imagination, 1593
spiritual truths, 1598
superhighways, 1595
Tenants of the Allmighty, 1593
Tuskegee Institute, 1592
Walker Evans, 1595
ways photographer could earn living, 1591, 1592
William Christenberry, 1595
Works Progress Administration, 1593
writers and photographic arts, 1592
UPI,seeUnited Press InternationalINDEXI59