Board_Advisors_etc 3..5

1982 Plan B, Tokyo, Japan
1983 Pavilions, Kunsthalle, Bern, Switzerland
1985 Art Gallery of Western Australia, Perth, Australia
1986 Storefront for Art and Architecture, New York, New
York
Sculpture, Pavilions & Photographs, Galerie Ru ̈diger
Scho ̈ttle, Munich, Germany
1987 ARC/Muse ́e d’Art Moderne de la Ville de Paris, Paris,
France
Museo Nacional Centro de Arte Reina Sofia, Madrid,
Spain
Fruitmarket Gallery, Edinburgh, Scotland
Photographs 67–87, Galerie Hufkens-Noirhomme,
Brussels, Belgium
1989–90The Children’s Pavilion; (a collaborative project
with Jeff Wall), Marian Goodman Gallery, New York,
New York; Santa Barbara Contemporary Arts Forum,
Santa Barbara, California; Galerie Roger Pailhas, Mar-
seilles, France; Fonds Re ́gional d’Art Contemporain
Rhoˆ ne-Alpes, Lyons, France; Galerie Chantal Boulan-
ger, Montreal, Quebec
1990 Photographs 1965–1985, Marian Goodman Gallery,
New York, New York
Zeichnungen 1965-69. Fotografien 1966–78; Galerie
Bleich-Rossi, Graz, Austria
1992–93Walker Evans/Dan Graham; Witte de With Center
for Art, Rotterdam, The Netherlands; Muse ́e Cantini,
Marseilles, France; Westfa ̈lisches Landesmuseum, Mu ̈n-
ster, Germany; Whitney Museum of American Art, New
York, New York
2001–02 Museu Serralves, Porto, Portugal; ARC/Muse ́e
d’Art Moderne de la Ville de Paris, Paris, France; Kroel-
ler-Mu ̈eller Museum, Otterlo, The Netherlands; Kiasma,
Helsinki, Finland; Westfa ̈lisches Landesmuseum, Mu ̈n-
ster, Germany

Group Exhibitions

1966 Projected Art; Finch College Art Museum, New York,
New York
Language to be Looked at-Words to be Seen; Dwan
Gallery, New York, New York
1969 Konzeption-Conception; Stadtisches Museum, Lever-
kusen, Germany
1970 Information; The Museum of Modern Art, New York,
New York

955,000; Vancouver Art Gallery, Vancouver, British

Columbia

1979 Concept, Narrative, Document; Museum of Contem-

porary Art, Chicago, Illinois

1982 Documenta 7; Kassel, Germany

1988 1967: At the Crossroads; Institute for Contemporary Art,

University of Pennsylvania, Philadelphia, Pennsylvania

1989–90Image World: Art and Media Culture; Whitney

Museum of American Art, New York, New York

L’Art Conceptuel en Perspective; Muse ́e Nationale

d’Art Moderne, Paris, France; Caja de Pensiones,

Madrid, Spain; Muse ́e d’Art Contemporain, Montreal,

Quebec; Deichtorhallen, Hamburg, Germany

1992–91Passage de l’Image; Museum of Modern Art, San

Francisco, California; Sala de Exposiciones de la Funda-

cion ‘‘la Caixa,’’ Barcelona, Spain; Power Plant, Tor-

onto, Ontario; Wexner Center for the Arts, Ohio State

University, Columbus, Ohio

Selected Works

Schema, 1966

Homes for America, 1966

Yesterday/Today, 1975

Further Reading

Charre, Alain, ed,Dan Graham. New York: Distributed Art

Publishers, 1995.

Graham, Dan, et al.Dan Graham: Catalogue Raisonne.

Berlin: Richter Verlag, 2001.

Graham, Dan.Two-Way Mirror Power: Selected Writings

by Dan Graham, Alexander Alberro, ed. Cambridge,

Massachusetts: MIT Press, 1999.

Graham, Dan.Interviews, edited by Hans Dieter Huber,

translated by John S. Southard, New York: Distributed

Art Publishers, 1997.

Graham, Dan.Rock My Religion, Brian Wall, ed. Cam-

bridge: MIT Press, 1993.

Moure, Gloria, ed.Dan Graham, Barcelona: Fundacio ́

Antoni Ta`pies, 1998.

Pelzer, Birgit, Mark Francis, and Beatriz Colomina, eds.

Dan Graham, London: New York: Phaidon, 2001.

Zevi, Adachiara, ed.Dan Graham: selected writings and

interviews on art works, 1965–1995, Roma: Libri di

Zerynthia, 1996.

PAUL GRAHAM

British

Few British photographers of the twentieth century
have been as prolific as Paul Graham. Since 1979,

he has exhibited in group and in solo exhibitions on

an almost annual basis throughout Britain, Eur-

ope, and North America, and he has been the

recipient of some of photography’s most presti-

GRAHAM, DAN