Board_Advisors_etc 3..5

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Dorothea Lange: American Photographs. San Francisco:
San Francisco Museum of Modern Art, 1994.
Mann, Margery. ‘‘The Henry F. Swift Collection of Photo-
graphs by the f/64 Group, San Francisco Museum of
Art.’’Artforum2, no. 5 (November 1963) 53.
Newhall, Nancy.Ansel Adams: The Eloquent Light.San
Francisco: The Sierra Club, 1963; revised second edition,
Millerton, New York: Aperture, 1980.
Oren, Michael. ‘‘Onthe‘Impurity’ofGroupf/64Photography.’’
History of Photography15, no. 2 (Summer 1991) 119–127.


Rosenblum, Naomi. In Heyman, Therese Thau, ed.,Seeing
Straight: The f/64 Revolution in Photography, Oakland,
CA: The Oakland Museum, 1992, p. 34.
Tsujimoto, Karen.Images of America: Precisionist Painting
and Modern Photography. San Francisco: San Francisco
Museum of Modern Art, 1982.
Tucker, Jean S.Group f/64.St. Louis: The University of
Missouri-St. Louis, 1978.
White, Minor, ed.Aperture11, no. 4 (1964) [Imogen Cun-
ningham issue].

Edward Weston, Cabbage Leaf, California, USA, 1931, Gelatin silver print, 7^9 = 16  97 = 1600.
[Gift of T.J. Maloney.#1981 Center for Creative Photography, Arizona Board of Regents.
Digital Image#The Museum of Modern Art/Licensed by SCALA/Art Resource, New York]


GROUP F/64

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