The New Typography

(Elle) #1
•••s 1M •.e.aats
�onnai§•e••


  • ... ,, ··-:-.,� .. �-----,..--.,.�
    .,
    � / e•�•

  • / le
    I /denier
    �fi!I'F fn•.•rf ..
    -Ji· de


re�l•e


Advertisement from the French fashion magazine Vogue.
All words are set 1n lower case


French fashion. The New Typography demands economy in type design. To
redesign our letters completely-as in shorthand and lettering for the blind



  • would be qu1te Impractical and unacceptable. So we have to make do
    with the type we have, the capitals and the lower case. To dec1de wh1ch to
    choose is not difficult, because capitals in contmuous text are too diff1cult
    to read. Lower-case letters are far easier to read. because of the ascenders
    and descenders which make complete words easier to recognize.
    A completely one-type system, usmg lower case only, would be of great
    advantage to the nat1onal economy: it would entail savings and simplifica­
    tions in many areas; and would also result 1n great savings of spiritual and
    intellectual energy at present wasted: we can ment1on here the teaching of
    writmg and orthography, a great simplif1cat1on in typewriters and typmg
    technique, a relief for memory, type design, type-cuttmg. type-cast1ng, and
    all composition methods-and so on.
    At the same time as economic advantages, the use of minuscule would give
    us a stylistically faultless letter. so scientific advantage would be combined
    with aesthetic.

Free download pdf