The New Typography

(Elle) #1
But the A4 format (21 Ox297 mm) should be used in all new work. It has the
advantage of being the same size as nearly all new business literature.
periodicals. etc .. with which it will be sent out. It can hardly be thought
that the old formats are in any way better or more attractive than the new.
When A4 is found to be too large for private use (which is however hard to
justify). A5 (148x21 0 mm) can be used upright or horizontal.

Com'ponent parts of DIN letterheads
Besides the format. there are also standards for the placing of the compo­
nent parts of business letterheads. e.g. the size of the space for the firm's
name. and so on.
The authority for all these standards is 01 N sheet 676: we show examples
on the following pages.
Standards exist for:


  1. The position of the address. on the left. because once the letter has
    reached the addressee. it has served its purpose and can therefore be
    placed in a relatively unimportant position close to the margin.

  2. Position for receipt-and treatment-marks (receipt stamp etc.). on the
    same level. on the right. This space is more important than the address.
    and must be easy to find and read.

  3. Sequence and position for the four main pieces of information: your ref ..
    your letter of. our ref .. date. The advantage of the standard over the pre­
    vious methods is that these can all be typed in one line (beneath the
    headings). Earlier. such information was usually set in a column. requir­
    ing endless readjustments of the typewriter. The standard avoids this
    nicely, in that neither the height of the line nor the beginning of the
    treatment-marks is in the way of careful entries. The form also ensures
    that these items are not overlooked

  4. Sequence and position of the firm's particulars: sender's address. tele­
    graphic address. telephone. business hours. etc. It is a main failing in
    most of the old "artistic" letterheads that the visibility and clarity of
    these details was sacrificed to the "artistic" effect. In many of the old
    letterheads these particulars occupied several long lines: the individual
    groups were not clearly distinguished from each other; when looking for
    a particular item one had to read through the whole lot. In standardized
    headings these items are clearly arranged in specified positions. The
    standardization of the sequence is another advantage.

  5. Side margin of at least 20 mm. In older letterheads this margin was often
    ignored. This continued not to be noticed because in those days letters

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